How long have you been playing Abel?
I started playing bass in 1969. Thirty four years ago.

How did you get started?
In the late 60’s and early 70’s, Pretoria had many live bands. My cousin and I use to go to sessions (nowadays called discos). At each session there were at least 3 live bands playing and we had a choice of at least 10 venues per night. It was there where my interest in music started. My cousin already played drums and he started to play drums for a band called ‘The Attraction”. Their bass guitarist, Greg Brown, started to teach me (I was using all my pocket money for the lessons). After I had learned a few things on the bass, we formed a band called “Sounds of Freedom”. Later on, the band was renamed “Wheels”. I played with them for nearly 16 years and had great fun. Most of the members in that band, later on, played with big names in our industry. After that, I joined Clive Bruce and played with him for 16 years, travelling all over South Africa and the band was also used as a backing band for all the recording artists at that stage. After leaving Clive I played around with a few bands before I joined Mackenzie Blue, Up to today I am still playing for Mackenzie Blue.

You mentioned your cousin plays drums – are there other members of your family that play musical instruments?
Another cousin of mine (in actual fact the brother of the drummer cousin of mine) is a well known artist in Europe, more in Italy and Holland. The other family members were my grandfather and father.

What’s your favourite band / solo artist?
My favourite solo artist is Sting and my favourite band – mostly old bands that don’t exist any more, but if I have to choose, I would say a band like U2 would be more or less my style. Although, if I listen to music I prefer to listen to light jazz and fusion.

What are the amps and instruments you currently use?
Guitar – Fender Precision (1968 model). Amp – Marshall 100 watt Tube amp (1972 model).

What instruments would you like to have if money were no object?
I would keep my bass guitar but would like to buy a new amp with lots of power (like the Marshall). Maybe a new Marshall. If I had to buy a new bass guitar I would buy a Fender Jazz bass.

Have you ever tried five string basses?
I have never tried a five string bass. It looks nice to play. Maybe it gives you more strings and notes to play, but if you can handle your 4 string bass well, then I suppose a 5 string would not make that big difference for me. However, I would still like to play it. I also play a bit of lead guitar, presuming therefore that a five string bass would not be that difficult to learn.

What about a fretless bass?
I have played on a fretless bass before and I love it.

You’ve visited the South African Bass Players site www.bassplayers.co,za – what do you think of it?
I think the site is amazing and it’s wonderful to see that someone is caring about our bass guitarists. I am very pleased to be a newcomer to your site.

What have you been doing for the last five years or so?
I have a recording studio, which I enjoy very much. I am recording up and coming artists and also do session work when required. I also use it for production of videos. One of my main activities is professional videos. This includes music videos.

What recordings that you’ve played on would you recommend for listening?
I have made many recording, but all of them (apart from a specific band which was used for the “Stoutgat treffers”) was session work. Most of the session work was for TV productions with Clive Bruce.

Do you know the other Pretoria based bassists, like Marc Duby, Ernest Mothle. Lowell Jeffrey, Jesse Mogale, Jasper van Rensburg and Rixi Roman?
I am ashamed to say that I don't know anyone of the guys that you have mentioned. However, I would like to meet some of the guys. Maybe a get together of bass players in Pretoria in the near future would be nice.

What’s been the low point in your career so far?
The low point in my career was when “karaoke” music became popular and bands were starting to get less work because of that. It resulted in the break up of the “Clive Bruce Band” and me leaving the music scene for a while.

And what has been the high point of your career?
The high point in my career was the first 16 years with my first band. Music was exiting. A lot of bands to watch. Many gigs available and just being friends together playing for the love of music and not for fame and fortune.

What do you do when you’re taking a break from music?
Like I have mentioned before, I am in the video production business. Therefore in my music breaks we make videos.

How long have you been playing, Anton?

I've been making music since I was about ten or twelve.

Do you come from a musical family?

Not exactly. My mom liked music, and I think, sometime during her schooling, she took lessons. She kind of encouraged my interest whenever she could, but we couldn't afford formal lessons or anything like that. My dad liked music, too but never played anything. And I have no brother or sisters, so no input there, either.

How did you get started?

One way or the other, I'd make a noise with whatever I could put my hands on. Got gifted my first guitar aged twelve, and tinkered with the expanding keyboard and midi scene in my bedroom for several years. When I got a computer, I messed around with my first recordings and stuff. Back in those days, we didn't have the powerful machines we have now, so it was pretty basic and we had to find rather creative ways of getting our stuff down.

So you're basicly, self taught?

Yeah, I guess so. Probably the best thing anybody taught me about music was the first time I picked up a double bass. I asked its player, a colleague named Russell, to teach me how to play it. He said: "Sure!", handed me the thing and said "Play it!" and walked out. So I did. With the band. True story.

What's your favourite band / solo artist?

I don't think there's such a thing as a favourite band or artist. There are several artists whose work I like and aspire to, but I don't think I could name one particular performer as a 'favourite'.

So who do you find yourself listening to quite often?

Well, artists whom I own more than one CD of: Tears for Fears, Nick Cave and the Bad Seeds, Dead Can Dance / Lisa Gerrard, Talk Talk, Depeche Mode, The Beatles, aah it goes on and on.

What are the amps and instruments you currently use?

“Cheap. For stage shows (we get pretty rough n ready) I use a basic near-entry-level Slammer (Hamer) electric bass guitar (with a slight 'modification' to the pot wiring and pickup structure) - and sometimes a vintage Czech-made double-bass when I can liberate it from its current home - and an Ibanez 65-watt bass amp.

What instruments would you like to have if money were no object?

I'll take the whole shop, thanks. I'm not an instrument junkie, but I'd take a poke at anything, really. I'd be more interested in portable recording devices, though.

What have you been doing for the last five years or so?

Music-wise? Or Other Career wise?

Both!!!

Five Years in Music present to past: Three Bored White Guys (bass/vocals); The Sunday Family (featured)(drums); The Moonflowers (drums); The Dollyrockers (keyboards, percussion; accordion; melodica); Scarlet Host (bass); The Bunnylicks (drums); eracode (solo ongoing) (synths, programming,
vocals) with guest slots in The Tornados (as the Shadowman) and Chicken (double bass) in between.

Five Years in Money present to past: Freelance contract Entertainment content producer / writer Mweb/Tiscali, producer Countrybilly BBQ Breakout; etc. Entertainment Editor Mweb; Entertainment Editor Tiscali/World Online.

What recordings that you've played on would you recommend for listening?

I produced a demo recording for a friend of mine called Carolyn Beyer, who used to front a band called Copious. It started as a basic recording of her singing and playing guitar, and I took those tracks and built a full arrangement of synths and soundscape around that which I must say I'm pretty proud of. It's a case of building a recording in reverse. And it sounds pretty unique - I think.

That sounds very interesting - I'd love to hear it sometime. Anything else?

There's another that I didn't play on, but had to play the live parts for: When I joined the Dollyrockers, I was lucky to play some of the best pop songs written in SA in my opinion. The album The Heat is quite extraordinary in terms of its song quality. And there are parts of the previous two albums Glory Glory and The Dollyrockers that have held up astonishingly well over the years.

What's been the low point in your career so far?

I really can't think of any. except that I happened to be one of The Dollyrockers when they decided to call it a day (for now). And when I heard about the death of 'Steamin' Dave Clark of (Martin Rocka and) The Sick Shop. We only met once when Martin came down to do one of my shows, but it was sad to lose a fellow rockabilly.

And what has been the high point?

There are several. One high point is the first time I played for a paying audience: It happened to be as a 'special guest' with the Sons of Trout.

You'll often hear us talk about the 'Crazy Cats' era. During this time I met the members of The White Guys - Frank, Greg and Matthew - and The Tornados and Chicken. Musically they've all played a big part in my musical identity and approach.

Another time is when I was asked to join the Dollyrockers.

And a current highpoint is the continuing audience success of Three Bored White Guys. Almost two years in and we're only now starting to get excited about the prospects.

Was Schalk Joubert playing bass for SOT at the time you were their 'special guest'?

Hehe. I think he was, actually. I could be mistaken because I've blinked in and out of the Trouts' career for so long, I can't remember if he was there that particular night. I have photos, though and I will check. Maybe I can send one through as evidence?

 You've visited the www.bassplayers.co.za site haven't you - what do you think of it?

It's quite an unusual initiative, I think. I recognised a few names there and laughed at their photos (haha VOL).

What are your goals currently?

I'd like to carry CountryBilly BBQ Breakout to the next level. It's done well so far, and it's served well for bands like The Tornados and Krakatoa and of course, The White Guys. I'd like to expand into other concept shows and hopefully earn a living as a producer of shows like CountryBilly. Lately, I'm beginning to feel it's possible, in spite of myself.

What does Anton Marshall get up to when he's not busy making music?

urge.co.za is an exciting development. I think it's starting to discover its function in life. Keeping that in progress takes a few minutes a day. I love magazines, and I've become quite the Paperweight shop junkie. Cheap mags by the dozen. I hang out at a local live music club a lot. So when I'm not making music, I guess I'm watching it.

Thanks for the interview Anton - I'll come and check you out next time I'm in CT.

How long have you been playing Arlyn?

Since New Year's, 2000.

How did you get started?

In 1998 I happened to go to a big Christian meeting/concert in Pietermaritzburg, and there was this rather shaky band from England that played there, except that the bassist was superb - his style and the sound of his instrument were just delicious - so powerful and crunchy, and also sweet and melodic. It was really beautiful. I had respected bass for a while, but it was on that evening that I decided that bass was inside me. At that time I played no instruments at all. I only wrote songs in my head and wished I had the money to realise them. Bass started it all…

Are you from a musical family?

Yes - my mother's done a lot of singing of the classical kind; my dad played guitar and organ; and my sister plays piano and also sings.

So it's in your blood!!!

Well, it’s definitely in my soul! I think that blood consists of millions of tiny red cells floating in a salty mixture of water and other things. Does blood vibrate? Now that I think about it, bits of it probably do… I been thinking about this whole mad ‘vibrations’ idea – we are biological things that have evolved to have an integral and intimate relationship with our surroundings. These surroundings are in turn connected very fundamentally to all the other things around them (through laws of physics, chemistry, etc.). And, all these things vibrate (atoms, light, brainwaves, heat, wings, hearts, subatomic particles, radio waves, guitars…). Obviously, all these things affect us deeply. If we’re so integrally connected to all these vibrations, I’ll be very surprised if they don’t have a big impact on our musical awareness. I had a realisation the other day that music almost inevitably ends up describing elements of the character of the place it was played at – the spatial elements of it, its colour, texture, size, & purpose; what people were doing in it, and its similarities / contrasts to other places – in other words, its overall emotional atmosphere. So much for self-expression – that’s all surface. Music mirrors our perceptions about anything, completely naturally and normally unconsciously.

What's your favourite band / solo artist?

I don't have one. There's just various musical geniuses here and there that I love and respect. Jeff Buckley, Nick Drake, Scott Weiland (for some weird reasons…), The Cinematic Orchestra, The Libertines, Doves, Mercury Rev.

Maybe it's because you move in different circles, but most other guys cite people like Jaco Pastorius, Stanley Clarke, Victor Wooten and Miles Davis when they're speaking of musical geniuses!!! Can you possibly enlighten us?

I'm over the greats.

No, not really! I love some jazz, and there's good stuff all over the place. I think I might move in my own circle! In any case, I am a bit of a semiotician (if any of you have ever read any Peircian semiotics, you'll know why...), and so I understand some of the basic ways in which music is understood by people - how meaning is established and how people mirror emotions, thoughts, and experiences in music. When you know a bit about how music communicates, everything changes. You suddenly realise how silly (i.e. badly expressed) some artists/styles are, and you have a deeper appreciation of the good stuff. Of course from that point onwards no-one understands your music tastes, and you set out on an increasingly miserable search for good music...

Now I'm looking at Dream Theater, Yes and ELP and wondering………………….?

I think I gotta listen to Dream Theater. I’ve been meaning to for years, and for some reason have never got around to it. But then there’s so many things I’ll never get to do.

What are the amps and instruments you currently use?

I play a Cort Action Bass 5-string. I got it for R1700 and I've never really wanted another one. I use it in the studio and always get a sound I really like. Maybe I'm blessed. Or just weird. Amp-wise I've got a 300W Peavey mono PA system which is superb because it doesn't try too hard. So many bass amps boost certain frequencies, or have bad high-spectrum response. Other amps completely mess up the natural dynamic response of a bass or dissolve notes into piles of low-frequency mud. This one is at its best when it's about to distort. It grinds like a beast and then becomes as pure and clean as a synth as if it was reading your mind.

In a sense, you have a similar set up to me - my back up bass is a 5 stringed Cort (Artisan) and my amp is a Peavy 300W combo - I also enjoy that growl that's just a tad short of distorting (and boy, do I HATE sonic mud!!) - makes you feel alive doesn't it?

Ya. For sure. My PA isn't really meant for bass at all. It's got like 6 inputs, & no compressor or active/passive input switch or anything. It's just a dirty beast.

But if the piece of equipment is giving you exactly what you're asking of it, why change? I know of some muso's that just buy equipment in a haphazard fashion and never really get that sound that they're striving for!!

I hear you. I choose my instruments and equipment very carefully. Right now I’m looking for a bass with that brilliant 60’s/70’s rock sound – controlled, with a prominent attack, a short sustain, and the smoothest grooviest sound ever! Think Donovan, the Moody Blues, and early Magna Carta. Any suggestions?

What instruments would you like to have if money were no object?

A seven-string (high B#, low F), switchable active/passive pickups, low action, closely spaced strings, 24 fret, not-too-rigid neck so you can get a bit retro, with some or other beautiful wooden finish. Or just a double bass.

Sounds like you feel ready to go the 'multi-stringed' route! Ever considered fretless bass guitar?

Yes,.but they normally sound funny. It's not in my soul. Double bass on the other hand... (that's fretless)

What do you mean when you say they sound funny? Are you referring to the unstable low-end on 34" necks or the stratospheric frequencies that actually fall well outside of the 'acceptable' bass range?

No, just that when you slide from note to note it has such a different character to sliding with frets (and I do a lot of that). It reminds me of slide guitar at its cheesiest combined with a total lack of grit. It weirds me out. I like those little semitones.

What have you been doing for the last five years or so?

Playing in Old Mol, running my studio (HFL), planning a revolution, and (more constructively) inventing a whole new genre of music for events where worshipping God is in order.

Of course, you'll find it stimulating but do you find working in the praise and worship team challenging musically?

I really hate praise & worship music. About 99% of it I find appallingly mediocre. When you think of all the amazing Christian music in history, or those Gothic cathedrals where no imperfection was permitted - that took 500 years to build - this praise & worship stuff is just insulting.
Ok, maybe I should qualify that. Evidently there's a lot of sincerity involved, & people do worship God, but everyone seems blinded by slogans like "it's not about the music, it's about your heart for worshipping God." Yes, very well - you can't worship God without that. However, you need to express yourself somehow. People are multifaceted things, and actualising a thought involves doing something. Music is an especially good thing to do because it is possibly the medium best suited to mirroring your emotions and thoughts. So if you need to actualise your thoughts - that is - make them fully meaningful and integrate them into your life - you need to express yourself. If the songs you're singing do a dismal job at that, sorry for you…
At the moment I'm writing a paper on worship music and events, and my thesis is that praise and worship events most often alienate you from yourself. You become numb to what you think, instead of actualising those thoughts. That is an especially bad thing when you're saying something like "I love you Lord", because you can't really mean it - even if you intend to. Your words get bound up in layers of numbness to what is actually going on inside and around you, and what is left is hypocrisy. Sobering stuff.

I've seen you at, at least one S.A.B.P.C. meeting - do you like the concept?

Ya I do. I've been too busy this year, and so I've only come to one, but it was really good to hear some properly skilled musicians talk about their thing…

Yeah, that was a particularly good evening wasn't it? Will we be seeing you at some recital evenings next year?

If possible! I should have more time on my hands, but that could all be wiped away in an instant of brain-dead time management! I’m very keen though.

Martin - Have you visited our website www.bassplayers.co.za yet?

Yes - saw a whole lot of photos and then had to do something else. [my bad] It's a really good resource though.

What recordings that you've played on would you recommend for listening?

Old Mol - Salmonanimosity (check out the lastest SL magazine CD - it's on that)
The Mellerines - I Wish I Knew (unreleased as yet. Look out for the revolution…)

What's been the low point in your career so far?

That would probably be my increasing awareness of the sheer amount of mediocrity there is… everywhere. As Max Weber might have said, 'Bollocks to Capitalism!'

Bring back Mozart!!!

Bring back a non-institutionalised world!!! I know that's a crazy idea, but the more I study Capitalism and modern society where massive bureaucracies run the show, the more I wish they would bugger off and go run someone else's lives.

Power to the people!!!

Well, within limits. The last thing we want is another Socialist black hole. I think the trick would be to put structures in place that ensure that the most beneficial thing to do for yourself is to serve other people. That way, you could turn all that unstable, exploitative capitalism on its head and make people take a personal interest in being un-selfcentred. (At least in action. Whether they do it in their own minds is their problem.) While you’re at it, you could minimalise the need for large bureaucracies that suck the humanity out of all of us. That would be nice.

Of course, I don’t have the slightest idea how to accomplish all this…

And what has been the high point of your career?

The hope of figuring out some kind of remedy.
Becoming no.1 on TUKS FM's SA Chart with 'Missing In Action' (by Old Mol).
Jamming in a worship session, where suddenly a song just emerges, unrecited, and suddenly everyone realises that its atmosphere is a reflection of our collective experience and of just what God feels about it. (no, really)

What do you get up to outside of the musical arena?

I study Philosophy and Anthropology at WITS, I dream about heaven, and I play touch rugby. And badminton.

Now that's interesting!! I thought that if you believed what the Bible is telling us then there's no room for beliefs in the evolution theory? The one doctrine informs us we all came from Adam and Eve and the other says "nonsense - we came from apes"!!!!

Not at all! Don’t believe a word those fundamentalists tell you. Genesis was written in a particular literary form – an Ancient Near Eastern Epic. Moses took the existing stories – mythical tales with no intention of being scientific or even reductionistic – and turned them on their heads when he wrote Genesis. In this light, his intention was to teach us about God’s character, his will, and about the human condition. There is no evidence at all to support the opinion that he was concerned with questions of science.
I think part of the problem with the creationist frame of mind is that they assume the bible must be taken literally, universally. Yes, the bible is true, but you can’t apply passages on Jewish ritual cleanliness, for example, to questions of grace and salvation. Pay attention to context, and all those horrible and rather embarrassing doctrines dissolve.

P.S. It’s possible (and very reasonable, I think) to be an evolutionist who believes God created everything. Being a creationist and believing in God as a creator are two very different things. Science cannot explain its own existence. Have you ever wondered why there is such a thing as Newton’s third law? Or what started the big bang off? Either you argue that something natural caused that, or that something uncaused caused it (i.e. God). If it was something natural, then what cause that? And the next? And the next?
Imagine a link in a chain, hanging in the air. You wonder what’s holding it up. You look and see that there’s another link attached to it, and yet another one attached to the second one, all the way up and up. Now, what would be holding the whole chain up? A ring attached to a ceiling of course! Sooner or later you gotta concede that there’s an uncaused something out there upon which everything depends. God?

What are your goals currently?

To change the world. Ok, maybe slowly. It's not really up to me, though, but I'm keen anyway…

Unfortunately, time's running out fast (if you believe what Revelation tells us). The hurricanes and earthquakes have already started arriving!!!

How long have you been playing Bernard?

I started playing bass when I was 16. That was in May 2001. That's more than 4 years ago.

How did you get started?

It always looked cool when someone was playing guitar, so I started playing too. I first started playing guitar for one year, and then in May 2002, I started playing bass and I'm still going.

Do you come from a musical family?

No, not actually! None of my parents have played an instrument in their life. But that’s ok, luckily I can!

What's your favourite band / solo artist?

There are a lot of bands that I like very much like, blink 182, limp bizkit, red hot chilli peppers, sum 41. But I think my two favourite bands must be Green day and The Offspring.
But I always appreciate classical music, because just to hear how good they are, and it makes you feel very small.

What are the amps and instruments you currently use?

I have a pearl river bass and an Ibanez amp(65watt) pretty cool.

What instruments would you like to have if money were no object?

No, I'm quite happy with what I've got. All of our band members have got good equipment. We would just like bigger speakers-but it's ok.

What's the name of your band?

Our band’s name is “Ysterkeel”. I know it’s not the best name ever. But it kind of sticks to you. Although all of my friends told me thats it’s a stupid name but hey, they’re not in the band. But we will probably change it soon, just don’t know when.

How many members are there in the band?

We are five-man band. Me - bass, Beukes - vocals, rhythm guitar, Hennie - guitar, Wessel – drums and Werner on keyboards.

What have you been doing for the last five years or so?

I have been going to school in Rustenburg High, North West. I started studying immediately after school. I'm currently 2nd year at varsity in Bloemfontein. Studying Human Movement Science.

What recordings that you've played on would you recommend for listening?

Our band haven't made a recording yet, but definitely next year. And I would certainly recommend it.

What's been the low point in your career so far?

I actually haven't had a low point in my career so far. All of our shows were absolutely brilliant. A lot of people to play to, and they have always thus far loved our music.

And what has been the high point?

When we played at our hostel 'Reitz' during 'Rag'. There were many students who were drunk, and went crazy to our music. We did the pre-show for Jak de Priester. When he came on, they kind of booed him off stage and wanted us to play again. But we didn't because two of our band members were already drunk by then. But it felt good inside.

Were you one of the drunken members?

No, I’m kind of against alcohol. Someone in the band has to keep a clear head.

Have you visited the South African Bassists website yet?

Yes, I have. I thinck it looks very good and thats a brilliant idea. It also could be good advertising for any bass player in South-Africa. You should just keep up the good work.

What are your goals currently?

How long have you been playing Bob?

I've been playing since I was 14. I bought a Fender copy for R80-00 in 1976 and joined a band playing covers.
My first band was at age 15 “Phase 1”, then there was The Squad, Psycho Reptiles, Missing link, Trench Poets and Onyx.

How did you get started?

I started on a cheap electric 6 string at age 14. After my mate and I saw rabbit live at the coliseum we decided we’ve gotta become rock stars. I later lost the toss and had to play bass, haven't regretted that now though.

Do you come from a musical family?

Not really my mother use to play the piano but that’s it.

Do you play anything other than bass?

Yes I have recently bought an acoustic guitar again and am up to about 30 songs. It’s real cool as I can now entertain a bit at whatever get together, besides, I can’t sing and play bass at the same time.

What's your favourite band / solo artist?

I can't say!! I have a varied taste, some over the years have been Grand Funk, The Police, The Jam, Dire Straights, e Void, Guns & Roses, The Cult, King Crimson (the bass), Living Color, Patricia Lewis.

Who are your favourite bassists?

In SA I use to like Chris Bekker (Steinberger player), I believe he now lives in Australia, he played really nice riffs, finger style & slap and never over the top like a lot of these great overseas players. A lot of them seem bored with playing well and now come up with gimmicky circus stunts like Tony Levin playing with long sticks on his fingers. Overseas favourite though, I like the Flea, bold high in the mix stuff.

What are the amps and instruments you currently use?

I have had a Fender Precision 4 string bass for about 13 years, nice, but also a Steinberger XQ series 5 String which is nicer in every way, staying in tune, changing strings, distinctive tone, perfect consistent clear notes anywhere on the fretboard, life time guarantee, etc, etc. I don't currently have an amp as I’m not in a band at the moment - I play through my hi fi with cd's I like (nice bass riffs I want to add to my repertoire).

What instruments would you like to have if money were no object?

Another Steinberger, one of the old 1980's XL series.
I'm totally sold on Steinberger and am going to get an XL preferably a 5 string but seeing they are as rare as hens teeth for obvious reasons, I will probably have to get one from either the US or UK.
They stopped making them in 1998 so it will have to be second hand. Gibson took Steinberger over and only produce much cheaper wood models now.

Yeah, it’s a shame that they’re not keeping true to the ‘Plastic Fantastic’ concept of the original Steinberger vision. Why is that?

The original graphite models are too expensive, the new wood and truss rod models known as the Spirit series were made so that the price was more accessible to more bassists. I would think the new wood one is similar and not much better than Hohner’s Steinberger copy though, sounding like the average wooden bass with all it’s imperfections.

I have to ask – if you consider that the differences between individual Steinbergers is miniscule – why would you want another one – what actually is the difference between the XQ series and XL series?

The XQ series has a graphite (no truss rod needed) fret board but an ash wood body, conventional looking body. The XL & L series is all graphite and the body is that little rectangular shape, this one was once hit by a bus in the US after which it was not only not damaged but perfectly in tune, it has a life time guarantee. Generally people don’t like the look of Steinbergers especially the XL series, that’s fine but I don’t think anything makes more sense or in my opinion sounds better. So yeah the difference is more than miniscule. I would love to play an XL again before ordering one, my only experience was in 1992 at the bass center in whapping, London, there I played every bass you could have thought of. Initially I didn’t like the XL (looks), but after many hours and basses I had to conclude it was the best all rounder.

What have you been doing for the last five years or so?

Played at various pubs and clubs for a cover come original band, with the odd big stage gig.
I haven't played in a band though for about 18 months now.

Are you missing it?

Not big time, although I would jump at a chance to play with the right band.
The last band I was in, Onyx, disbanded because the drummer gave up his day job and instead of once a week wanted to go pro and play 3 or 4 times a week, this he did and we didn’t really bother looking for a replacement. To be honest this guy has never played in a band as good as Onyx since and he’s been in several but he has made a career out of it. If I can’t play lekker stuff though, I would just as soon be the bouncer at the club.

What recordings that you've played on would you recommend for listening?

The Trench poets were very nice, good songs, unfortunately Fender bass at that stage but still.
I was the replacement bass player in a band called The psycho Reptiles for their last year together, a popular band, record deal, toured the country, played Ellis park at the ‘89’ big birthday bash but I never played on the album. I don’t recommend it anyway to be honest; this band was really big in SA but not as good as the trench poets by far, more a cult following as opposed to real good music.

Yeah, we have to put up with their Christmas record every year – did you ever have to perform it?

No that was discontinued by the time I replaced Graeme Searl.

Have you visited our www.bassplayers.co.za website yet?

No but will soon

What's been the low point in your career so far?

Putting up with unscrupulous club owners in the past, especially in the 80's.

Yeah, join the club -so what’s been the high point?

Playing at Ellis Park, getting out of my car and walking with bass in hand towards the stadium hearing the massive sound system and crowd, and then eventually playing up there.

What do you get up to when you haven’t got a bass strapped on?

I’m a broker running my own business, which takes quite a lot of my time.
I also like a game of golf if I get a gap, if not I’ll go for a 3-10km run.
Watching my 11-year-old son’s sport is another favorite past time; It’s a good life.

What are your goals currently?

How long have you been playing Brent and how did you get started?
When I was younger my mother sent me to piano lessons at the local church. Can’t say that I enjoyed playing piano at that age but wish now that I had continued. As any child did when they were younger I played the pots and pans in my living room with chop sticks.(Thanks to Mettalica for those hours of pleasurable banging). When I started high school I joined the Scottish pipe band, playing the snare. An instrument that I think may not have been for someone with as little co-ordination as me. I ended up quitting about six months later. But the droning sound of bagpipe’s has never left me, thanks in part to the fact that my stepfather’s family is Scottish. At the age of about 15 I picked a second hand guitar and amp. After many hours of giving the neighbourhood a head ache I realised that I wanted to play an instrument with a bit more power and passion. So I bought myself a bass. That was about 4 or 5 years ago. And the rest they say is history.

What’s your favourite band / solo artist?
At the moment I have many favourite bands / artists. On the local scene I would have to say my favourite artist is Will from Architecture of Agression. I really like his original style of playing and his stage presence is out of this world. After taking a few lessons from him earlier this year I gained a lot of insight into playing with a bit more originality and having more confidence in my ability to explore my options.
On the international scene I would have to say that my favourite is Ryan Martini from Mudvayne. He plays with stuck easy and confidence which I really aspire too. Meeting him at the Download Festival in 2004 was a real treat for me as he was more than helpful and willing to answer all the questions I had. And believe me there were many.

What are the amps and instruments you currently use?
At the moment I play a 5 string Washburn which is starting to suffer from the constant abuse it receives while playing gig’s. I still play the first bass I bought which is a Stagg 4 string. On the amp side, I play a Genz Benz 400 watt valve synth head as I like the amount of power it can deliver. Accompanying that is an Ashdown 4x10 cab which I choose for the high end qualities it posseses. But in hindsight I realise that a 2x12 would have suited my playing style a lot more as the 4x10 doesn’t manage to convey the heavier riff’s I play.

What instruments would you like to have if money were no object?
If money were no object it would have to be a Warwick of some description. Probably a 5 string Thumb. I really like the sound that it delivers. If not a thumb, then I would say a 5string Corvette Double Buck. On the amp side I have always aspired to play an 8x10 Ampeg cab with the STV4 Pro head. Ever since the day I test drove one, I knew it was the amp for me.

What have you been doing for the last five years or so?
I’ve been working on starting a career in the music industry. While living in the UK in 2005 I started working for The White Records but soon realised that they were a bunch of conmen and I returned to South Africa. Other than that I’ve been playing in various bands.

What recordings that you’ve played on would you recommend for listening?
I haven’t really made any recording’s worth listening to but as soon as I release something I will be sure to let bassplayers.co.za know about it.

What’s been the low point in your career so far?
At the beginning of 2006 the band I was playing for (FOETUS) was offered a record deal by Warren from Rock Zone Records. After many promises of a full album and tours we were left hanging. After the disapointment of this, the band broke up and we all went our separate ways.

And what has been the high point?
Playing at the launch of the new Architecture of Aggression CD. It was held at the Capitol theatre in Pretoria and the venue was absoluty amazing. Many thanks to the guys for the opportunity to play. And meeting Ryan Martini from Mudvayne. Realising that your hero’s are not so far from your grasp and that they are normal people like you who went through the same steps to get to where they are now was a big eye opener for me.

How long have you been playing Brogan?

Have been seriously playing for about 7 months now, but I used to play on my friends bass a lot before I bought my own rig

How did you get started?

All my friends are heavy into music and each one of them had already chosen their instruments when I came around and lucky for me even with none of my own stuff and no real teaching, I auditioned for the band and I beat 7 other bassists that had been trained a lot more than me, a lot of people that have seen me play, know my age and know how long I have played for they all seem to say I do have a certain amount of natural skill

Do you come from a musical family?

No, not at all, when I bought my guitar they didn’t even have the slightest clue on how to play it or even how to hold it!!

Tell us a little bit about Backhand. What type of music they’re playing and about their aspirations.

Um, Backhand play a mix of Hard Rock and alternative, I honestly can’t even tell you what genre we fall under but I can tell you what bands we draw inspiration from: 36 crazy fists, Mudvane, 16 Stitch, Wickhead, Incubus. Its really tough to give you a definite sound, I just know I must tell you to come see us, we are playing a gig at The World Famous Blues Room on the 3rd of August

What’s your favourite band / solo artist?

My favourite band is my favourite band only because the bassist just blows my mind... and that is The red Hot Chilli Peppers, flea is one of my big inspirations they way he moves and the hooks he plays are just awesome!! Although RHCP aren’t in the genre of music I play, I still wish everyday I could play riffs like good ol flea!

Are you taking instruction yet or are you still thinking about that?

I have been thinking about it for such a long time, but unfortunately because I spend almost 80% on my time behind the Bass, my school marks aren’t up to par, so my parents say I can’t get tutored until I get a good average. Although I do sneak in some “lessons” with my fellow drummer, he was an accomplished guitarist and he gives me some tips on writing hooks and some brief musical theory

What are the amps and instruments you currently use?

I am not very proud of my rig but I have to buy all my bass guitar stuff with my own money, and considering I don’t earn any income my rig isn’t amazing but, I have a Beautiful Black Yamaha RBX 170 and I small 15watt Behringer Thunderbird Bass amp, I know its not amazing, but I have big plans for it.. Just need the money

What instruments would you like to have if money were no object?

Oh man... dang… there are just so many instruments, strings and amps that I would love to own or even just to play.. But if money was no object... it would have to be the Epiphone Goth Thunderbird Bass... its not the best but man its tough looking and plays so nicely…I would slam in some serious pickups like the Seymour Duncan Basslines, and put some Dean Markely Blue Steel bass strings… I have never played with those strings but the guitarist in my band says Dean Markely strings are the best! And a HUGE Ampeg Amp... those sound awesome

Are you going to get into fretless bass at a later stage?

Fretless basses seem to have a lot of advantages but like a said before, I don’t really have a lot of money to spend on “experiments” but in time I would like to start a bass collection, and my first purchase will be a fretless for sure.

What about six string basses…..and beyond?

My band mates are always hassling me about not buying a five string bass instead of my four string, I have actually played a six string before, after just staring at it for half an hour I did finally play it and I really did enjoy the two extra strings, a six string bass really appeals to me because of its versatility.

What’s been the low point in your career so far?

My career has been so short, and I am being honest here by saying that every second of my Musician career has been amazing, just walking onto a stage and showing people exactly what I have been spending my entire weeks and weekends on and for people to enjoy it… I just can’t see there ever being a low point.

And what has been the high point?

My first gig, we played at Roxys Rhythm Bar even though the crowd was quite small the reaction I got from my bass solo and my general bass riffs was awesome, it’s just such an awesome feeling to have people respect me as a bassist even though I am still very young and inexperienced.

How much time are you spending with your bass each week?

Too much!! No, I think I play about 3 hours a day, 21 hours a week, and that excludes my 7 hour band rehearsal on a Saturday.

Have you visited the South African Bass Players site yet?

Of course! I go to the site regularly to check what’s happening in the bass industry and to see if anyone is selling anything I want!

What are your goals currently?

I want to be a really really awesome bassist, I want to be so good that when I pick up a bass people are impressed, I want to be known as “Brogan Thompson – amazing bass guitarist” it’s going to take a lot of time but I will do it, that’s my ultimate goal…

How long have you been playing Chris?

I’ve been playing for 4 years now. I actually started playing piano at the age of 5 but by 12 got tired of it. I didn’t play any instruments for a while and then at the age of 16 was introduced to a bass. I’ve never looked back.

How did you get started?

A friend of mine got me into it. We went to some meeting about a new Bass teacher at school, I was so impressed by this guy’s playing that I decided to start. I bought my first bass the next day ( a 4 string Phil Pro) and I guess you could say that was the end of it all…

So you don’t come from a musical family?

Not really. My parents are both completely non-musical while my brother is a very talented pianist and Singer. My grandfather was fairly musical; he was an opera singer for quite a few years. I think the main thing was that most of my friends have always been into music and also played various instruments or sung in the school choir with me since I was at school.

So did you start having lessons with the bass teacher at school?

I did indeed. Unfortunately he left within 2 weeks of starting and then I was stuck with no teacher. Luckily he was replaced by an awesome bassist called Dave Manchip. He got me into the more hardcore bass stuff such as Bella fleck and the Flecktones.

What’s your favourite band / solo artist?

I wish I knew who my favourite band is. Influentially I would say Bands varying from Tool through to Funstorung. At the moment I’m very much into the more Punk type of stuff, Green Day, Sum 41 that type of vibe, also very much Dave Mathews Band. Specific Bassists would have to be Ryan Martini, Victor Wooten, Les Claypool.

What are the amps and instruments you currently use?

My Amp is currently an Ashdown Labs ABM 300 with a 2X10” cab and a 1X15” cab. I’m Currently playing a Cort Curbow 5 fretted tuned E,A,D,G,C. I also play a Warwick 4 string Corvette Fretless and I am waiting for my Lakland 5 String Skyline Deluxe to arrive. I also play through a Line 6 Constrictor Pedal.

I see some similarities between us – I have a 5 string Cort (Artisan) Strung E thru C, a Warwick (Streamer) 4 string and a 1 x 15 cab (Peavy 300 combo). Does your equipment pretty much suit your needs or does it fall short?

At the moment it is falling short a bit. My cort seemed to be a very special addition which came with a custom built fret board which peels off the neck every 3 shows or so. It however does get beaten quite hard every show as you can see in the images so I don’t think you can blame anybody for that. Other than that, my equipment does fit my needs. I get a very nice sound out of my amp nowadays. It may just be a little short. Need something taller to jump off!

What instruments would you like to have if money were no object?

Ashdown Evo II 900 Amp head with a 8X10” cab and a 1X15” cab. Would run it through a Line 6 Bass Pod XT Live. Instruments would be a Lakland Decade series and a Lakland 5 string American deluxe series. Just for basics…

What have you been doing for the last five years or so?

Playing Music and attempting to attend school when I wasn’t playing music. I managed to matriculate end of last year (2004) and since then I’ve been playing music non-stop. Played for a small rock band for a while and then was asked to do a few sessions for Candy Fly. Ended up joining them and am now so happy that I did.

Have you visited www.bassplayers.co.za yet?

Of course! Been visiting for a while now. Love the web page and the fact that it’s more organized than the local guitarist one…

What recordings that you’ve played on would you recommend for listening?

I have yet to play on any large released records but I would recommend listening to any of the stuff by Candy Fly. 6 Feet underground when played live is a must!

Can you tell us a bit about Candy Fly?

Sure. We are a high energy (and I mean exceptionally High energy) Punk Rock band. The band has been around since 1997 and had a no. 1 hit on 5fm for a while called “I Wanna Get Laid”. We recently won the Authentic Ideas Battle Vir Woodstock Competition and will be playing there on Saturday evening. The band consists of Thomas Selmer-Olsen, Mark Peters, Alistair Mcalpine and I.

What’s been the low point in your career so far?

No specific Low point’s yet. Playing to a club of 3 people, the door-man, the sound guy and the barmen was pretty bad.

We’ve all been there - more than once!!!! So what’s been the high point?

Playing with an awesome band to some Crazy crowds.

What does Chris Preyser get up to when he hasn’t got a bass guitar slung round his neck?

What does he do? I don’t know. I relax with my close friends. I do a bit of Sound Engineering. I’m also the designer of all the Candy Fly merchandise (Cd’s, Stickers, T-shirts). When I get the time to I do Graphic design and various forms of art.

What are your goals currently?

To record and release an album.

Thanks for the interview Chris – best wishes to you and the band.

How long have you been playing Concs?

I started by playing the acoustic guitar in 1980. I started learning on my own by watching a friend who used to come and play my dad’s guitar at our home. He would then leave, and I would pick the guitar up and try and play what he was playing. My brother was also learning guitar and at some point he converted one of our guitars to a four-stringed one. The idea of playing single notes, yet making an effective impact on the sound and colour, fascinated me a lot. That was the beginning of the bass journey.
So I started playing bass in 1985. I started by playing in church. Now, playing in the black church in Soweto was the best musical education I have and will ever have. Whether you are aware of it or not, your ear gets developed and very fast. This happened because, anyone during the service can start a song, in any key and in any tempo. You have to be spontaneous and sharp. Often, the key went higher as the song progressed. I still play in the church from time to time and it still is a fulfilling experience. No gig compares to playing in that kind of setting.

After a while I started interacting with other musicians “outside” the church and a whole new world suddenly emerged. The rest, as they say, is history. 

What’s your favourite band / solo artist?

I do not have a particular band/musician that is a favourite. I like different musicians/bands for different things. I must say though, that I am more into singers and horn players than I am into bass players. The sense of melody fascinates me more. I have been referred to as a melodic player. If that is true, then it is because of my passion and respect for melody.
At the moment I am listening to Richard Bona – “Reverence”, Frank McComb – “Love stories”, Bebe Winans – “Live and up close”, Eva Cassidy – “Songbird” and a few others, Norah Jones – “Come away with me”. 

What instrument/s are you using and why?

The issue of choosing an instrument is an important one and it takes years. At least for me it did. I have tried a number of basses through many different amps, playing a vast range of styles. I am not one to be technical about how many types of wood were used, the different pick-up configurations, the length of the neck. For me the questions are, “Is it sounding good?” “Does it feel good when I’m holding it?” and of course, “Are we grooving?” 

Needless to say, I am sold out on Lakland Basses. I hope to get a chance to test drive their other basses. By the way, if you thought these basses were way too out of your financial league, then visit the web-site and check their ‘Skyline’ series or visit Andy McGibbon’s Guitar World, Randburg, South Africa. 

What are the amps you’re currently using?

I should open this paragraph as the one before. 
The same principle applies. You have to test it and listen to whether or not it sounds good. If it sounds great for Marcus Miller, it does not mean it will sound the same for you. The search for your own sound and voice continues for a long time. To answer your question, I use SWR amps. As one that plays from Jazz to Rock, from Afro-pop to Britney-pop, it is important to find a flexible amp. An amp that can be pushed to the limit yet remain warm. An amp that exposes the true sound of my bass and still have great looks, if image matters to you.
In the studio I use the SWR amp head and go directly to the desk. Clean, phat and warm.

You’ve been working with Johnny Clegg for as long as I’ve known you. You obviously enjoy the gig. Can you tell us a little about it.

Have we known each other for that short a time? I only joined Johnny Clegg in July of 2000, after the passing away of Solly Ledwaba. What a bass player! I enjoy the gig a lot. Because of its strong concept, it is more than just a gig. It is as relevant today as it was when Johnny started. Any concept that challenges stereo-types, that’s where you will find me. There is a lot of fun in the actual music, but it also carries the power to change the lives of those who get to experience it. The musicians are great to play with - no hang-ups. I love playing whilst singing and dancing too. It is actually funny how life works out. A number of years ago, I was a kid, fascinated by Johnny and Sipho as Juluka. Now I am working with them. Lesson learned : Never ignore that which is around you. 

What have you been doing for the last five years or so other than the Johnny Clegg gig?

Most importantly, I have been recording my solo project. It has been an amazing and a learning process. It has taken this long because I am doing it independently. Thank God it is almost done. Other than that, I have been working with different musicians on recordings and live gigs: Ernie Smith, Gloria Bosman, Paul Hanmer, etc. I also conduct workshops from time to time on areas such as: “Song writing and arranging”, “Ensemble playing”, “Rehearsal techniques”, etc. I have also been learning to speak Spanish. Now I am waiting to meet that Spanish babe.

What recordings that you’ve played on would you recommend for listening?

Gloria Bosman (S.A.) – “Stop and think” – Sheer Sound Records
Colin “Black” Vearncombe (U.K.) – “Live at the Bassline” – Nero Schwarz Limited 
Soweto String Quartet (S.A.) – a new one due for release in March 2003 - BMG. 
Ernie Smith (S.A.) – “Child of the light” – Sheer Sound
Joyous Celebration (S.A.) – “Joyous Celebration 5” – Sony Music Entertainment

What’s been the low point in your career so far?

I don’t think I have had any. All points have a positive out come, if you are patient enough to wait and see.

And what has been the high point?

Apart from creating music, I love travelling, so the tours I have done with Johnny Clegg have given me a high that’s a little higher. However, I think the highest points of my career are yet to come. Lord willingly.

What are your goals currently?

To finish the album and share it with the world. Also, to continue playing and touring with other bands and with mine. I plan to write more than I am doing now. Production is drawing my heart day by day, so I will pursue that side of things too. To get more involved with development programmes. We need to give back. If some one had not given unselfishly, we would not have come thus far.

I am happy to be part of the South African Bass Players Collective. This is a project I would love to see grow and serve bass players and the music industry as a whole. We all need to stand up and take our place. To whom much has been given, much is required. What we are doing is much bigger than music, much deeper than the notes we play. We all have a greater calling in this life. If we do nothing about it and do not use the influence we have been blessed with, one thing will lead to another and we’ll end up with a baseless society. Hence, the people who want to start wars for selfish and lame reasons. 

How long have you been playing Craig?

Bout 6 years

How did you get started?

I’ve always wanted to be a musician, but I never had parents or family that could play an instrument or someone to teach me the ropes. At the end of high school, three of my friends were playing every Saturday and couldn’t find a bass guitarist – I guess the rest is history…

So you obviously don’t come from a musically inclined family?

Not at all. My Dad was a Rugby player and my mom pretty much just buys the “Now” compilations which says it all…

Can you read music?

I have a grade 2 in music from UNISA and I studied production and arrangement at NSA, so yeah, I know the basics, but drum sheets and string sections get a bit hectic. I'm not really much of a sight reader

What’s your favourite band / solo artist?

Probably between St Germain, the Pixies, Jamiriquai and Bob Marley and the Wailers

What are the amps and instruments you currently use?

I’ve currently got a Cort Artisan 5-string Electric Bass, left handed obviously – The Boss GT6B pedal and a Trace Elliot combo Amp

I also have a Cort 5-String – which I tune E to C.

I prefer tuning it B to G

What instruments would you like to have if money were no object?

Electric Double Bass

They’re known as EUB’s in the business (Electric Upright Bass) – any particular make?

I’ve actually never had a chance to try one out, but I’m intrigued but the fact that I can plug my GT6B into it and design some strange new sounds – I like experimenting a lot

Have you tried ‘The Halfway Stage’ yet – fretless bass guitar?

I’ve given it a go a few times but only on a right handed fretless bass. I think the next stage for me is probably a six string.

What have you been doing for the last five years or so?

Recording and Gigging with Zolan Sky
Doing corporate gigs with an Afro Funk Jazz band called ColourBlind
Designing industrial and commercial Sound systems
The odd Session here and there, nothing to serious

Who came up with the name Zolan Sky? Can you tell us a little bit about the band?

Our drummer came up the name, but he never really identified where we got it. It doesn’t have a “Deeper” or spiritual meaning or something like that; guess it was just one drunken evening fishing for a decent name. I like to think of it as “Zol – an - Sky”
Its probably one of the most important things about marketing your ban -, a cool name is an awesome start to selling your music – look at fokofpolisiekar, that’s a cool band name. No one wants to say they support a band and wear the T-shirt if they’ve got a terrible name, no matter how good their music is…

How many gigs are you guys doing each week?

We played at one stage about 3 or 4 gigs a month, but we haven’t gigged at all this year as we’re currently busy recording our first full album and we’re all pretty busy with other projects. Also, our guitarist Anton left about a year ago so we’ve kind of fallen out of touch with the whole gigging scene for now. But we plan to be “show fit” by the time the album is finally released.
At the moment I’m gigging with ColourBlind, usually once a week…

What recordings that you’ve played on would you recommend for listening?

Our new Album (Zolan Sky), which should be ready mid 2006 (if they don’t keep breaking into the studio we’re recording at and stealing the computers….)

Sounds like there’s a story in there!!!

Yeah one hell of an irritating one; our hard drive bombed out last year, and about 2 weeks ago they stole all the PC’s from the studio we’re recording at, including all our files we’ve recorded this year, which the engineer had only backed up on the server from The beginning of the year.
We still have the drums, bass, acoustic and most of the electric guitars backed up, but we now have to re-do all the vocals, backing vocals, perc and a few of the guitar solos.
We were so close to being finished as half the tracks had already been mixed – it’s been extremely frustrating as we can only record at night ‘cause we all work, but you’ve gotta be positive about it I guess and think of it as a chance to do it better…
I could go on for weeks on the trouble we’ve had trying to get this album done as we’ve had the songs pre-produced and arranged for about three years now, but everything just keeps going wrong. It pretty much killed our creativity as we’ve been playing the same tracks for years now and it will be a huge relief when we can finally move on and start working on some new ideas…

What’s been the low point in your career so far?

None really – maybe not getting a chance to play at Oppikoppi yet, that’s about it…

And what has been the high point?

I think the reward of recording and playing your own music and seeing people actually liking it and spending money to get it

What are your goals currently?

A hit song - but ultimately to one day quit my job and make music whenever I want…. A full time job is a huge constraint on musical creativity in my opinion…

What do you get up to when you’re not playing music?

I design sound systems as my day job, mainly for hotels, showrooms, retail stores and multi-level buildings
I also play football

Lastly, how are you getting on as a left-handed bassist? I saw one pic where you were playing an upside-down Fender – left handed instruments aren’t easy to come by are they – and when you do find one, it’s 5% more expensive than a right handed one!!!!

Yeah for sure, it was a real pain in the arse trying to find a decent left handed guitar – I basically had 4 choices;
The Cort,
A horrible mustard fender, which cost about the same as my car at that stage,
Changing a right-handed guitar which through my previous experiences was a disaster waiting to happen,
Or ordering a bass from overseas, which I probably should have done.
There’s a guitar shop in London in Denmark Street called lefties, I’ll definitely organise through them in the future…

Thanks very much for the interview Craig. Best wishes to you and the band – hope you’re gonna send us a copy of the album!!!!

How long have you been playing Darius?

Since 2002, so that would be about 4 years. But I’ve only been playing seriously the last two years since I’ve moved to Bloemfontein and could join a band. (There were NO bands in Koffiefontein, where I attended High School!)

How did you get started?

The first time I thought about playing bass was when I listened intently to Angel with the Scabbed Wings by Marilyn Manson. I heard what I thought was a bass guitar (It turned out to be lead, haha) and decided I wanted to learn more about the instrument. Sure I’d heard of a bass, but like I said, Koffiefontein had NO bands and NO bassists. (I think I was the first). So I started looking around on the Net and listening more intently to some songs I liked and realised I really like the idea of the instrument. Who wouldn’t dig the idea of being (like you said) “a low-frequency space cadet”?

So I bought my first bass and never looked back!

So it appears you don’t really come from a musical family?

Quite the contrary. My only sister and my dad both sing very well and have been asked to sing at weddings, in the church, etc. He also plays classical guitar and played tuba in the West Rand Symphony when he was in school. She plays the piano. I also had piano lessons for about four years in primary school, but I quit because of the teacher, whom I didn’t get along with. It’s just that none of them had ever played or played along with bass. My dad never joined a band, he just prefers to entertain everyone around a fire or at a function or such.

What’s your favourite band?

I guess Chevelle, I think they’re Canadian. I just love the way they can make music that’s somewhat heavy and still be so melodic and moving. The first time I heard “Closure” on the DMX channel, I just wanted more!

Have you got a favourite solo artist?

Nope. I think the genres I like don’t have many solo artists. Except maybe Skin, but she was better when she was still part of Skunk Anansie.

What are the amps and instruments you currently use?

I have a Washburn XB 500 bass (They don’t make those anymore, which is a shame!), an Ibanez SoundWave 65w Bass Amp and a Boss effects pedal which I recently found for a ridiculous price at the local Music Shoppe.

What instruments would you like to have if money were no object?

I’ve never seen or held one, but going on a picture and the specs on their website, I’d say the Ibanez K5, which is Fieldy from KoRn’s signature model. It’s beautiful! For an amp, I’d say the Ibanez Thermion TN120, with a stack consisting of the TN412A and the TN412S. As the website says, they’re all-tube baby!

What have you been doing for the last five years or so?

I joined my first sort-of band (me, my sister and a friend. We called ourselves “Fytte”) when I was in High School. We couldn’t find a drummer, and my sister went to varsity, so that didn’t work out. When I moved to Bloemfontein in 2004, I joined a band called Inferno Flame (no, seriously) and we played mostly covers of stuff I didn’t like, but it was a learning curve, so I stuck with that for a while. After the band broke up, I concentrated on my studies, but at the beginning of this year I got a call for a Battle of the Bands at the local Stones. Me and my flatmate Janus, who was the guitarist for Inferno Flame, immediately started looking for a drummer, since our other drummer had moved to Rustenburg, and together with a friend of his, Erich and a female vocalist we’d met a few months before, we formed Helm’s Deep. We played at the Battle, and lost… After that I met up with a friend at a concert with The Narrow, and asked him to join the band. Janus and Erich left, we got a few other guitarists, the band got renamed to Ichor, and voilà! Go check out our site at www.ichor.co.za , we’ve been rocking Bloemfontein for a few months now and we were mentioned on Barney Simon’s SA Rock Show the other day.

What recordings that you’ve played on would you recommend for listening?

We’re still recording our first EP, so you’ll have to wait a while. I wouldn’t recommend anything from the other bands, like I said, it was a learning curve.

What’s been the low point in your career so far?

Playing covers of songs I hate (that’s even worse than living in a town without drummers or bassists).

And what has been the high point of your career?

Every gig I’ve played with Ichor has been one to remember. I love our sound, our shows, our music. And I love playing with these guys, I really think we’ll make it far one day.

Have you visited the South African Bass Players site www.bassplayers.co.za yet?

Of course! I actually visited it today and realised you have a Band Bio section. We’ll have to talk about that 

What are your goals currently?

I want to better my technique, especially by brushing up on my scales. I also want to see the band grow and become famous one day. Like I said, go check out our website! www.ichor.co.za !

What do you get up to when you’re not making music?

These days most of my time goes into my studies (I study Accounting at UFS). Other than that I just enjoy watching movies, relaxing with my girlfriend, Minki, or hanging out with friends.

Thanks for the Interview Darius – best wishes to you and your Ichor bandmates.

How long have you been playing Dave?

I only started playing bass guitar at the beginning of 2004, therefore a year and a half more or less. So I guess you can say that I’m still quite a virgin musician, with great aspirations.

How did you get started?

I’ve always loved music therefore about 2 years ago, 2003, I started messing around on my uncle’s ‘dead and buried’ classical guitar. But then…..my friend’s band needed a bassist, and since I had such ‘vast’ guitar experience, I moved onto bass and joined ‘epicure’. I have never looked back since, coz I’ve been too scared!

So there’s been at least one muso in your family. Any others?

I wouldn’t really call him a muso. I don’t think he can even remember how to play. I think it was one of those past times that so many people get into and then fade out of. I really feel sorry for those types of people. My advice to everyone is, “Never give up, Keep on Trying, You’ll get there soon enough.”

Actually my grandfather played piano in a jazz band back in the day. I’m not sure if he played any gigs around Johannesburg. I think it was just a hobby.

What’s your favourite band / solo artist?

My all time favourite band is Incubus. I am hugely influenced by their former bassist, Dirk Lance. However, I am also very much into Sevendust, Nonpoint, Chevelle, and The ‘legendary’ Doors of course. I also appreciate different forms of rock music ranging from acoustic to metal, from Ben Harper to Metallica.

What are the amps and instruments you currently use?

I am currently playing a 5 string Ibanez RDGR605. I also use the Fender Rumble 100 bass amp with a Samson Airline wireless guitar pack and on occasion I hook up a bass overdrive pedal to add some “Grrrr..”

Do the other guys in the band use wireless systems?

Not at the moment. Our guitarist likes to blow all his cash on Booze and Drugs as he feels that the End of the World is near. Then, our Vocalist thinks that a wireless system is a waste of time since he already sweats on stage and ……….. I’ve never heard of a wireless drum kit….

What instruments would you like to have if money were no object?

WARWICK please!!

What’s your favourite Warwick series? I play a Streamer series II 4 string

Nice!!! I particularly like the Thumb Bass and Corvette series. However, beggars can’t be choosers!

Have you tried any other instruments since taking up bass?

Not full time. I go back to a bit of classical guitar on occasion when I feel like strumming my fingers to a bloody ending. However, my heart is still content with bass.

What have you been doing for the last five years or so?

Last five years…. It’s a bit fuzzy. I guess I’ve been doing …. Stuff.

What recordings that you’ve played on would you recommend for listening?

Epicure is currently in studio and will be bringing out an EP of 6 or 7 songs either at the end of the year or beginning of next year. So I’m laying down the bass tracks at the moment in studio. However on our website www.go-epicure.com , we recorded a single demo called ‘Mocking Yourself’ where we recorded at the SABC studios. It’s available for download.

Can you tell us a little bit about Epicure

Guy (vocals) and Doyle (drums) are the founding members of Epicure. They used to be part of a rap-core outfit called Eclectic with a DJ and rapper. However, Eclectic only lasted as long as the rap-core movement did. Guy moved from guitar to vocals and recruited young Dick Richards to play guitar. I joined the band after their original bassist left to study at UCT.

We entered the RP Studios/Emerging Sounds Competition last year in July and made it to the finals at Caesars in Boksburg. We were recruited after the first round of the competition by a marketing company but, after a while, things just didn’t work out. I guess sometimes it’s just about Sex and Drugs and not just Rock n Roll…..

We’ve also played in the Global Battle of the Bands, getting to the Johannesburg final and at the moment we’re in the Battle Vir Woodstock Competition, showcasing at the Song Writer’s Club in Newtown.

As for now, the band’s goal for the year is to get an EP out. We’ve been in recording at Circus Studios, as we haven’t had anything to represent ourselves with. However, we’ve still been gigging around the Johannesburg area, mainly, Blues Room, Roxy’s and Voo Doo Lounge, as we feel that gigging is most important.

I’d define Epicure as Hard Rock music. Since we’re all influenced by similar bands, it isn’t really difficult in making new songs as we all have a similar understanding of where we want each song to go.

What’s been the low point in your career so far?

Low point…. I guess the frustration of only having a year and half experience behind me.

And what has been the high point?

Well this one time, we had this gig at the XMAS rock festival at Tempos in Randburg and since it was in December, most of our fans and friends who usually come and support were away. So we just got up on stage and started playing our songs, when the entire crowd who had been seated for all the previous bands before, got up and rocked out for 45 minutes solid, from the start to finish. It was a pure Natural HIGH….

Have you visited the South African bass site www.bassplayers.co.za yet?

Yeah, I checked it out the other day. It looks rad.

What are your goals currently?

My goal is to be a good boy and to play better bass.

What do you get up to when you’re not doing music?

How long have you been playing DeWet?

About four and a half years ago.

How did you get started?

I got my first bass on my 16th birthday and all my friends in high-school either played drums or guitar so I thought, “why not start playing bass” because in my opinion, there’s not a lot of bassists.

What’s your favourite band / solo artist?

Old SA Bands, Not My Dog, Leek, Fuzigish, Pestroy, Stick Up Kid. Also, Deftones, Incubus, Rage Against The Machine, Red Hot Chilli Peppers and Tool.

What are the amps and instruments you currently use?

I use a Fender Music Master four string and a Benringer

What instruments would you like to have if money were no object?

Ibanez K5 and Harke Stack

What have you been doing for the last five years or so?

I did home schooling and got my Matric at Pretoria college. I finished my DMP course at Emendy college, travelled Europe and am currently playing for Mel Funktion.

What recordings that you’ve played on would you recommend for listening?

Look out for the Mel-Funktion album. All the songs are hot.

What’s been the low point in your career so far?

Due to some miscommunications, I wasn’t able to play Splashy Fen 2005.

And what has been the high point?

Recording the album and playing at Woodstock

How long have you been playing Emil?

I’ve been playing bass seriously for the last two years.

How did you get started?

Emil: I swapped a good friend a bunch of magazines (won’t say what kind) for his bass guitar. I wanted to have a bass for the four track recordings I was doing with guitar and my PC. After that, the idea to play bass was constantly bouncing around in my head and once I bought an amp, the need for bottom-end took over.

Do you come from a musical family?

Yes, my mom plays organ and accordian. She really encouraged me to pursue my love for music. How many people can say their first musical idol was a parent?

What’s your favourite band / solo artist?

Fuel. I love so many other bands and artists as well but Fuel inspires me every time I hear it.

What are the amps and instruments you currently use?

I’m using a small Laney amp and my main bass is a 5-string Washburn. The bass has a real 80s look to it and it’s quite big. I love the weight of a bass guitar. That’s it, 5 strings running straight into an amp. I guess I’m a plug and play type of person.

What instruments would you like to have if money were no object?

There’s an Ampeg amp at Music Connection that I have my eye on. I’m perfectly happy with my Washburn bass.

So you wouldn’t venture further by going for six strings or a fretless bass?

I’d like to try fretless, but I think it might be too challenging onstage. I already feel that I’m making a performance sacrifice by playing 5 string.

What have you been doing for the last five years or so?

Last five years, I’ve been involved in lots of projects, some original work, some covers. Most of the time, I’ve been the singer and rhythm guitarist. At the end of last year I joined 7even on bass duties and that’s been my main project ever since. The guys feel like family to me and they’ve seen me through some tough times.

What recordings that you’ve played on would you recommend for listening?

I’m proud of all the 7even demos on www.unsigned.co.za. We’ve been recording at Greystudios and on the last track we recorded, I played my Washy through an Ashdown Labs amp. We miked and DI’ed the amp and got quite a nice sound. Awesome sound, watch out for the song ‘Run to me’ for lots of bottom end in the choruses. We still need to do the final mix on it though.

Have you visited the South African Bass Players site www.bassplayers.co.za ?

Definitely.

What’s been the low point in your career so far?

Playing in bands are like relationships, sometimes it works great and other times you’ve got to throw in the towel and admit you’ve been wasting your time. Those times where you know a dream comes to an end is a low point, but at the same time, the beginning of something else. The secret is to learn from these experiences.

And what has been the high point of your career?

Performing. Sometimes things don’t gel, yet it’s always exhilarating.

Is 7even gigging regularly?

We try to, at the moment we all have so much going on in our personal lives. But by November we should be out there again, playing wherever we can get in.

How do you pronounce 7even – is it Seven or Seven Even?

Good question. It’s just Seven. We enjoy confusing people.

Interesting name – who thought it up?

It’s our singer, Brandon’s brainchild. I’d like to think it means different things to us. I know what he thought when he came up with it, but I view it differently. It’s also nice to have a band name that pops up in conversation everyday, at some point or another.

What does Emil Nysschens get up to when he’s taking a break from music?

I like to get physical and find myself at the gym whenever the mood takes me.

What are your goals currently?

How long have you been playing Errol?
22 years off and on.

How did you get started?
I started off playing guitar in Sons of Sellassie then I just progressed to bass a year later. I never looked back. I was never musical though, but I always had a passion to learn to play an instrument. Once I put my mind to whatever grabs my interest and I apply myself, I always get results.

So you don’t come from a musical family?
No. My family is as unmusical as a sheaf of paper. I’m sort of out of character with the rest of them. I am also not what one could term naturally gifted, when it comes to music, so it is always hard work for me to learn something. But I know that I have a good sense of rhythm, and this is important. It’s easy to have a linear approach, but to me, real feel comes from rhythm.

What’s your favourite band / solo artist?
Favourite band: Freshly ground, Solo Artist: Les Claypool, Grover Washington Jnr

What are the amps and instruments you currently use?
Hohner Headless Jack 2, Peavey TNT 150w / Ashdown 350w

There must be a World of difference between the TNT and the Ashdown – do you still actually gig with the TNT or can’t you bring yourself to sell it?
Well, the TNT works well for smaller venues, but I am totally sold on Ashdown nowadays. However, the Peavey range of speakers, like the “Black Widow” series have always served me well in terms of reliability and lasting power. But now Ashdown just have these incredibly well priced great sounding amps which really impressed the hell out of me. My best set up ever was a couple of years ago, I had a H/H 400w rms per channel stereo head, two black widows, (400w rms 8ohms each), and I also ran a Celestion 200w speaker off the line out via a pre amp, also 200w rms. I used to just chuck the Peaveys down in each corner of the stage and use the Celestion as a Monitor mid stage right behind the drummer. That small cab also had a good tweeter in, which I eventually blew. Anyway the point is that the sound that this setup produced was incredibly warm, clear low end and everything in between! It was frikkin awesome.

I never liked playing too loud but I like clear tone definition, so this setup was the best ever for my needs.

What instruments would you like to have if money were no object?
Vintage Fender Jazz (J Bass), Mark King Headless ( I forget the manufacturer) I like the headless (Stein berger) concept, oh yes, also a Steinberger original would be great!

What have you been doing for the last five years or so?
Working for a research company involving loads of travelling, I am also a Sangoma…so I have been doing a lot of soul searching. Lecturing IT, just generally growing up as well.

What recordings that you’ve played on would you recommend for listening?
Wait for the Second Rudimentals CD in January 2006, God willing all goes well.

Have you visited www.bassplayers.co.za yet?
Lots, I really love what is being done there. It is a great resource for us, and also you know “I am not alone…” I used to be an acquaintance of Gito’s years ago, and I also appreciate that you have dedicated so much space to him. He was a great musician.

What’s been the low point in your career so far?
Not playing music for six or so years from 1998 till last year. That was wrong. I never realized how much I missed it.

What made you take ‘time out’?
Man, I still don’t know? I certainly did not have a shortage of musicians to jam with or start something, but I guess that I reached a kind of crossroads, and I decided to let everything go for a while, so that I could grow up a bit, I suppose.

And what has been the high point?
Being asked to play bass for the Rudies! That was awesome. The band is great! Four masters degree musicians in the band…How can you go wrong with that?

What do you do when you’re not playing music (apart from the Sangoma stuff)?
I love chess!! I’ve been playing that since I was a kid. Also, I hang out with my band members a lot, we’re like a family or something. You know, it’s like I found nine new best friends with these guys. Also, I am, or rather, have become a total computer nerd!! I love computer games. Its like my best friend coined it, once when we were sharing a house, he himself being a total games addict, he came home from work that day and declared to me, (it was the beginning of December month last year…) “Dude, I got three epic new games. My social life for the holidays is sorted….!” Hahaha. Seriously though, I spend more time out these days…

Your nickname is Bong, How did that come about?
Hahahahaha!!! Ask the keyboard player and the lead vocalist from “Sons of Sellassie” they will tell you the horrible truth…

How long have you been playing Eugene?

Well I have been playing guitar for about 13 years now. But I only started on the bass in February 2005. So it’s pretty much a new thing for me right now.

How did you get started?

I played for a band in Randburg. But 2 houses down from where we used to practise, another band jammed as well. I knew the drummer of that band, and he told me that they were looking for a new bassist. Our drummer had issues after a few months of practise. So things didn’t go as planned. I gave it a bit of thought, phoned the dude, and pitched for the ‘’ audition ‘’. And the rest is history. And I really enjoy playing bass. Should have started a long time ago.

Do you come from a musical family?

Not really. My best friend’s dad played in a band so my buddy is quite a demon on a guitar. I guess that’s what really caught my attention.

What’s your favourite band / solo artist?

There’s too many to mention. But when you sit down, and you listen to Ryan Martinie (Mudvayne bassist) and Chris Wolstenholme (Muse Bassist), it just adds another meaning to the word ‘’ Bassist ‘’. Totally amazing to hear people play like that.

What are the amps and instruments you currently use?

I’m currently playing with a Fender Rumble 100w amp. And a 5 string Ibanez Ergodyne bass.

What instruments would you like to have if money were no object?

I’ll get back to you on that, when money is no object.

What have you been doing for the last five years or so?

I’ve been overseas. But like most SA Musos, the day job thing limits pretty much everything else.

What recordings that you’ve played on, would you recommend for listening?

We’ve only recorded 4 songs so far. But it’s still in a changing process. We’ve only started with gigs very recently, but we’ve got 13 complete songs and we’re planning our EP. But if people want to download the songs from our website, they are more than welcome. It will give them an idea of what we sound like.

The band is called Torment isn’t it? What kind of music are you playing?

Torment it is. There is something for everyone. Slow songs, heavy songs, radio friendly stuff and songs not suited for radio at all. It’s got this Spanish/Arabian/tribal acoustic sound to it, with distortion all over the place. So it’s kind of hard to explain to people what it sounds like. We just call it tribal acoustic rock.

What’s been the low point in your career so far?

I think playing with people for quite some time, and all of a sudden musical differences take over. But for me it’s more like experience than a low point.

And what has been the high point?

The people I’m currently playing with are very open minded, and they are willing to experiment with pretty much anything. There are a lot of musical influences we have to look at while composing a new song. So if you would like to add a little Deftones to that ballad of yours, or a bit of Slipknot to that radio friendly version of the valentines song you wrote, makes it more challenging. 1 of 2 things can happen. 1) No we don’t like it!! (Previous bands) 2) Awesome idea, if we can’t pull it off, we’ll use something else. (Current band). And that makes it a lot easier to work with people who really understand how music should be composed.

Have you visited www.bassplayers.co.za yet?

Yes I have. And I think it’s pretty awesome to have a page dedicated to bass players only.

What does Eugene Kok get up to when he hasn’t got a bass hanging round his neck?

Man I’m a hardcore gamer. I can sit in front of my pc for hours blowing shit up and killing everything that moves. But then again I’m an adrenalin junkie too. I do Freestyle Motocross over the weekends. So when I’m not partying, jamming or working, I either unleash mayhem or ride my bike pretty hard.

What are your goals currently?

World Domination. Mastering the Ice Cream man tune. Getting sponsored by Jack Daniels and the Playboy mansion. Making braaivleis a popular international dish . Creating our own boere-version of the Karma Sutra. Starting our own record label while maintaining all of the above.

Thanks for the interview Eugene – best wishes to you and the band.

How long have you been playing Francois?

I first picked up a classic guitar in 2000 and bought my bass in July 2002. That makes me a bassist for only three years. So I’m relatively inexperienced.

How did you get started?

I enjoyed Blues and Grunge a lot during the 90’s. That had me strumming Koos Kombuis and Nirvana tunes when I should’ve been studying for my matric finals. When I got to University, a friend introduced me to a weird buddy of his (Christo) who I reminded him of. Chirsto was starting a band and they needed a bassist. I had cash saved up for an electric guitar and changed my mind right there. Very soon I was walking instead of picking and slapping instead of strumming. I found that genuine, old fashioned classic guitar techniques improve bass playing a lot.

Do you come from a musical family?

Very much, yes. My two sisters both played piano. My younger sister, Via, is quite the punk and she aims to become a professional drummer and sound engineer. As you can imagine, we jam together a lot. My mother played piano. Her brother plays the concertina in a boereorkes. His son has 7 guitars, one for every day of the week. And a cousin of mine is in a Windhoek rock band.

What’s your favourite band / solo artist?

Wow! Where do I begin?! The Pixies have always been my favourite band because of their eclectic simplicity. So Kim Deal didn’t solo, but she sure played the right thing at the right time and her bass tones are spot on.

Tool and A Perfect Circle made the biggest impression on my style of playing during 2004. Our very own Marlowe also had me counting in 5’s and 7’s rather than 4’s and 8’s.
Mudvayne always inspired me to ignore the blisters and play on. Ryan Martinie is my hero.
Recently Radiohead has changed my outlook on music and I’m now quite into loungy abstract stuff.

But since I’m a professional, I have to play what my band requires and right now that is Indie. So when I’m not moshing on Mudvayne or tripping on Radiohead, I’m listening to high pitched Indie tunes to the likes of Bloc Party, Kings of Leon and The Hives.

What are the amps and instruments you currently use?

I’m using an Ibanez Soundgear 4-string bass. And it’s red. It has to be red.
My amp sucks! It’s an XB100. But it was cheap!
Now we come to the cool stuff. My effects unit. It’s a KORG tone works AX10B. With it I can get the perfect tone for every song, compress and quality distort.

What instruments would you like to have if money were no object?

A red Maranello Z. Sheer beauty and a semi acoustic.
I’ve gigged with Fokkofpolisikar’s Ashdown amp (I think it’s an Ashdown) and it was a memorable experience.
I don’t want to sound dependent on effects to make bass sound good, but I know for sure that I’ll be twice the bassist I’m trying to be with a proper, multi channel BOSS or KORG bass-effects unit, the biggest one they’ve got, on the floor for me to kick around.

Do you think you’ll ever go fretless or multi-stringed (or both)?

Of multi-stringed, I’m not so sure, I’m a bit too inexperienced to make a proper statement, but fretless is certainly an option. I aim to pick up a double bass violin next year and have some grey oldie teach me proper music. I am eternally looking for unique tones and the shorter, muffled sound you get from a fretless adds an interesting dimension. And you have so many more possibilities for emotive techniques such as sliding. I’d also love to get to know my fret board by touch.

What have you been doing for the last five years or so?

Leading a double life as an actuarial mathematician by day and a bassist by night. So I’ve been band hopping, rubbing shoulders with respected metalheads in Bloem, gigging around Bloem, Kimberley, PMB and Durban; but at the same time I had to study, wash my hair on Mondays and talk around inevitable questions such as: “What did you do this weekend?”

Have you visited www.bassplayers.co.za yet?

Jip, and I am convinced that it is a useful connection for any bassist. You won’t hear of a home-made electric upright bass anywhere else in South Africa. I’d love to participate in clinics and events once I’m done being a student. Music is a lifelong commitment and these are committed.

What recordings that you’ve played on would you recommend for listening?

In 2004 I gigged and recorded with Fireal. A numetal act heavily influenced by Tool and Chevelle. We recorded a 3-track demo that I am particularly proud of. Very technical stuff.

Next I recorded with The Vulcan Nerve Pinch in a pretty cool studio. It’s a very honest, likeable, 4 track demo we recorded. My best so far.

We’ll be re-recording stuff on the Nerve Pinch demo soon, and you’ll be hearing it on TUKSFM for sure. I’m looking forward to that.

As you probably know, Jake sent me a copy of the disc which is packaged very professionally and sounds great!!! Can you give us a bit of info on the recording process?

We recorded at this ragged old Victorian house (complete with the lazy dog and the tiny, dry garden) that was transformed into a recording studio. It had soul. And the single cans of beer we had in the cold sun during mixing, outside the shabby liquor store a block away … it had soul too.

We recorded drum and bass simultaneously with Jake strumming guitars behind perspex cracking jokes over the headphones. We basically played every song a zillion times until everyone was happy. Next came guitars, and we had the privilege of listening to the same jokes a zillion times as we recorded and re-recorded guitar tracks. The jokes were finally deleted as Jake laid down the vocal tracks. By the time we got to the hand claps we were already in disbelief over what we were able to achieve. From there on it was pizza, six packs and the mixing desk.

Can you tell us a bit about the band?

Sure, we could all do with fewer obligations. Jake and I could do with less demanding day jobs. And it would help a lot if Jaco had not spent 8 hours ‘agter die potte’ before every practice. We could do with better equipment, a PA and an Ashbourn bass amp. We could get an extra guitarist to broaden the sound and double the ideas. We could easily loose our girlfriends and become rogue musicians out for a party and get smashed with the crowd after every gig. We should probably spend less of our precious time jazzing around in the band room and switching instruments. And some perfectionist could say we should harness every riff we jam and focus on completing songs quicker.

Yeah, we could change all that. But without the pressure, band prac wouldn’t be such a relief and we wouldn’t have the biggest band room in Bloem thanks to Jaco’s job at the Musicon. We wouldn’t be so inspired to wreck our brains for truly unique ideas with our limited equipment. A property that has gotten us very far. We wouldn’t be a three piece with room in the car for a fan and we’d spend even more time on completing songs. Band braais wouldn’t be such a party if it weren’t for our fourth (Dirk, Jaco’s brother) and fifth (Illana, Jaco’s girlfriend) ‘members’. And senseless jamming around is what being musos is all about.

Jake sparks crazy new songs, Jaco adds the most unexpected drum beat and I try to glue everything together.

What’s been the low point in your career so far?

Returning from my December 2004 holiday and finding out in an SMS that Fireal has a new bassist. Someone more willing and devoted than me. But there are no hard feelings. I chose to lead a double life.

Ironically I replaced that same bassist in his old band, The Vulcan Nerve Pinch. And if I can’t keep my spot in The Vulcan Nerve Pinch, something I’m prepared to prevent at all costs, he’ll replace me again. So we made a toast one night in Die Mystic Boer to being each other’s understudy.

And what has been the high point?

The day I realised that picking up a bass was not a mistake was when Fireal opened for The Narrow on 23 November 2004 in Die Mystic Boer and The Narrow was all compliments afterwards. It was my first gig in Mystic and a very special occasion. Recently I had the privilege of seeing the Vulcans experience the same thrill when we had Mystic jumping to Stop+Listen.

What do you get up to when you’re taking a well-deserved rest from your double life?

Well, recently I had the privilege of becoming ‘well acquainted’ with a friend of Illana and Dirk’s, Liezel. She teaches me art. We kill a lot of time together. I’m an ambitious skater and a fitness freak and I have lots to say about movies and books. Over holidays I jam with Via back home and we’re fast becoming regulars at big music festivals.

What are your goals currently?

Winning the RP studios battle in JHB on the 16th of October. Winning the billion mucks in PE 9-12 December, getting a record deal and recording the first internationally successful South African album.

Sadly(?) I landed a killer of a job in Cape Town. Everybody knows. So I’ve discussed with my band providing lodgings for road trips to Cape Town, paying frequent visits to Bloem and scheduling leave for all the big festivals. But the main goal will be to write enough material for a year right now, learn it by heart, and play it to whomever, wherever as often as we can next year.

How long have you been playing Gareth?

Hi Martin, first off, thanks for the interview, I hope I do it justice, anyways... I started playing piano and flute at 12 going to music lessons and all, it put me off classical music for a LONG time, started teaching myself guitar at 17 this allowed me to compose my own stuff instead of interpreting pieces the way my teacher insisted...HUGE leap forward.

Short answer I started bass at about 23 and have been playing for around 17 years.

How did you get started?

In the UK I was looking for work and the Melody Maker (music newspaper) carried a long "guitarists available" and hardly any "guitarists wanted" ads, the bass column was the exact opposite and I figured I could handle that, got into a cover band and soon after a "real" day job in computing, gave up the cover band, and then "auditioned" for about 3 different bands a week for about 8 months to get my practice with a drummer in.

Do you come from a musical family?

Kinda, not really, my father taught commercial and fine art whilst my mom was into amateur theater, so artistic, yes, musical, not really.

What’s your favorite band / solo artist?

Doug Wimbish (tack head, On-U-Sound, Living Color, Seal and other sessions) Stanley Clarke, Victor Wooten (Bela Fleck & the Flecktones) Les Claypool, Marcus Miller, Robert Trujillo (Suicidal Tendencies, Infectious Grooves), Billy Sheehan, Geddy Lee, The Ox (John Entwistle) I could go on but I'll end with Jaco, Percy Jones (Brand X), and again Doug Wimbish.

Sounds like you really dig Doug Wimbish ? You didn't mention that he's also worked with the Rolling Stones!!!

Yeah, Doug has to be seen live to be truly appreciated, on most recordings he's kinda buried in the mix, once witnessed you realise he IS the mix, with the most amazing collection of licks, tricks 'n chops both on his bass and FX units.

What are the amps and instruments you currently use?

My workhorse is an old Ibanez Musician 4 string, getting a bit worn, but a lovely instrument, also a fretless Ibanez Sound Gear. Amp wise I have a Hiwatt Custom 100 valve head through a 1x15 (my 4x10 was stolen)

What instruments would you like to have if money were no object?

Bass wise : Spector NS2 four string (3 of them strung BEAD, EADG, ADGC :) A Maingard fretless acoustic.

What have you been doing for the last five years or so?

I co-own a small demo studio (http://www.backstage.co.za/gello), but for the last couple of years I've been working toward music distribution, can't divulge too much just yet unfortunately.

What recordings that you've played on would you recommend for listening?

I'm more of a jamming type, so haven't done too many recordings, if anyone's interested there are a few tunes at http://www.backstage.co.za/gareth/html/mp3.shtml

What's been the low point in your career so far?

Twice, each when a happening band (IMHO) I was in, split for no good reason.

And what has been the high point?

Being radio playlisted with two different bands simultaneously (Psycho Deli & india)

Have you visited www.bassplayers.co.za yet?

Yes, a Number of times :)

What do you get up to when your not busy with music related stuff?

Family, computer related stuff, and when I find time I'd like to start learning Tai-Chi.

What are your goals currently?

Firstly to get my music distribution idea up and running, but I'm also working at electronic percussion, really fun stuff, recording then triggering samples/loops etc. I'm still in the discovery stage, whilst slowly getting my drum rudiments together, so yeah, my current musical goal is learning to drum :)

Thanks for the interview Gareth.

How long have you been playing Gary?

About 30 years

How did you get started?

I started playing guitar at age 14, and started my first band with some friends a few months later. I switched to drums for a while when the drummer quit, but when I listened to music, I found myself listening to the bass lines more than anything else. I was particularly attracted to the playing of Mel Schacher of Grand Funk (and I still rate him as a player). Anyway, the bass player in the band was having some issues getting to grips with the instrument and I convinced him to switch with me and I haven’t looked back since.

Do you come from a musical family?

My dad was a backing singer in a rock n roll band. He never played an instrument but was one of the best muzo’s I’ve come across, just in terms of his instinctive understanding of melody and musical structure. He also tried hard to get me into playing the piano at an early age, but being a bit of a rebel I pushed back, cut classes, refused to practice etc etc. Regret it now though.

Do you still keep up with the guitar and drumming?

I still play guitar, I have an Epiphone Les Paul, and a Washburn acoustic. I find it easier to write using guitar rather than bass, but bass will always be my first love.
I’d also love to get back into drumming but convincing my wife to let me set up a kit in the living room is proving a bit difficult for some reason. Right now I’m toying with the idea of getting myself an electronic kit.

What’s your favourite band / solo artist?

Quite diverse really, everything from The Beatles to Metallica, via Floyd, AC/DC and Bob Dylan! My musical heroes tend to be great songwriters, rather than bass players - John Lennon, Roger Waters, Dylan, Jackson Browne.

Early bass playing influences include Mel Schacher, Gary Thain (Uriah Heep), and Phil Lynnott. I also admire the playing of John Entwhistle, Steve Harris, Jason Newstedt (ex Metallica), and Flea (Red Hot Chilli Peppers).

What are the amps and instruments you currently use?

Cort Artisan Bass

Hughes & Kettner Basskick 515 Amp

Is the Cort a four or five stringed instrument?

4 string. I haven’t quite got around to a 5 string or 6 string bass mainly because I prefer a slim neck. The Cort is a beauty though, one of the nicest basses I’ve owned. I really like the fact that it’s so compact, which kind of suits my stature.

What instruments would you like to have if money were no object?

I used to own a hybrid Fender bass – Precision body / Jazz neck / P & J Series DiMarzio pick ups / off white with a mirror scratch plate. I had to sell it about 15 years ago when I was in a bind for cash, but man, I’d love to have that instrument back.

That sounds like my kind of instrument – I’ve always loved the Jazz neck but always prefered the Precision’s body!!! Glen Veale has two ‘swapped around Fenders but prefers the P. neck attached to the J. body – urghh!!!!!!

Yeah, that wouldn’t work for me either, the Jazz has a lovely slim neck, but the body is never going to win any design awards in my world.

What have you been doing for the last five years or so?

I’ve been working on an album with my friend Tony Groenewald. We call ourselves “Sundays at Eleven”, and the album is called “Psychodrama”. We’ve just released the 5-track promo CD, and are hoping to get some radio play out of that, before releasing the full CD around year-end.

I also had a short- lived live band together a couple of years ago, but that fell apart (the usual stuff, muzo’s ego’s – we’ve all been there)

I thought Tony was in Cape Town – you probably know Peter Hamner as well then!!!

Tony is in Cape Town, which is why the damned thing is taking so long to finish. Fortunately, I travel to Cape Town on business fairly regularly, so we get to pull a few all-nighters. We also try for the odd weekend when I fly to Cape Town or he comes up to Jo’burg. I’ve also known Peter for quite some time – way back to when we were in rival bands, me in Black Rose and he and Tony in Boss. He’s also recorded a couple of my songs on the Off the Edge albums.

What recordings that you’ve played on would you recommend for listening?

Psychodrama – Sundays at Eleven

“On the Run” and “Just Another Band” by Off the Edge each feature one of my songs, although I didn’t play on the tracks, likewise “Live by it”, by Black Rose.

Have you visited the South African Bass Players website www.bassplayers.co.za yet?

I have, and I think it’s absolutely brilliant. I actually passed it on to a muzo friend of mine who immigrated to the States in ’88, and he was amazed to see so many old friends and acquaintances listed on the sight. I also enjoyed your “Why I play bass”, section, which I found really inspirational. Bass players can often have an inferiority complex, so its good hear from other players who truly love the instrument.
As I said, great site. Keep up the good work.

What’s been the low point in your career so far?

I always had this idea that I’d quit playing when I was 30, and I actually did (for about 8 years). Now I regret that wasted time. Also quitting Black Rose just before they were signed to a record deal (once again ego’s got in the way!)

And what has been the high point?

I have to say, working on the Sundays at Eleven album. Obviously, I’m biased, but I think the songs are fantastic, the kind of stuff I could never have written, even 5 years ago. Sadly, in a world where ring-tones reach the top of the charts, and lip-synchers are referred to as “superstars”, it will probably sink without a trace.

But we live in hope – that’s what keeps us going isn’t it?

Who knows? It would be great to be an overnight success, 30 years after I started.

What are your goals currently?

How did you get started?
Had been playing acoustic guitar for years, then met someone who wanted to start a band and needed a bass player, . . the rest is history now.

Do you come from a musical family?
Mom played a little piano, . so we always had a piano at home.

What’s your favourite band / solo artist?
Fav band over the last 10 years or so has been Pearl Jam, . . others I like include Jack Johnson, Ben Harper, Dave Matthews Band, Audioslave, Red Hot Chili Peppers, Coldplay, . . .

What are the amps and instruments you currently use?
I use a '97 US Fender P-bass and a Mark Bass "little mark" head and 15inch cab.

Have you thought about going for a five-stringed instrument?
If I changed to finger style (currently, I play with a pick mostly) I might consider it.

What about fretless?
I Bought a cheap fretless once, . don't fancy it much, saying that, I would love to try a full size double bass.

What instruments would you like to have if money were no object?
A collectable 60's Fender p-bass or jazz and a monster Ampeg rig.

What have you been doing for the last five years or so?
Working in London, paying bills, snowboarding in France. . for the last two years, I’ve been in a band, playing most weekends. .

What recordings that you’ve played on would you recommend for listening?
Qwicksand "seven" ep.

What’s been the low point in your career so far?
Playing some of London's shittiest venues for cash!

And what has been the high point of your career?
Playing some of London's shittiest venues for cash!

So what you’re saying is, there’s been no low points or high points yet!!!!
Pretty much, . we are a very new "original" band, . . been playing in a covers band for a while.

Have you visited the South African Bass Players website www.bassplayers.co.za yet?
I have visited the SA Bass Players site, and will continue to keep checking regularly.

Do you think you’ll be staying that side for a while to come?
I will for a few more years. . definitely till I get the British Passport, then I think I'll move back to SA, . Durban or the South Coast somewhere.

What are your goals currently?
We wanna get signed and get out on the road touring.

What do you get up to when you’re not working or playing music?
We go snowboarding in the winter, usually to France. Take the motorbikes out for a ride on the weekends. Try to get down to the beach if the weather is good.

How long have you been playing Graeme?

I started when I was about 14 so that’s about …………. Give me a second ………………………………………………………………………………………………………………………………………………….. 14 years (I Think??)

How did you get started?

I started on acoustic and still play a bit (when the bass is not working). I saw someone playing who has become a good friend now and decided that that looked like a lot more fun - the sound of BASS took me and never let go.

Do you come from a musical family?

My sister plays guitar and piano but hasn’t touched it in a couple of yrs

What’s your favourite band / solo artist?

Favourite Band it would be hard to say but a couple of favourites would be anything from Fourplay to Foo Fighters.

Favorite Solo artist is non other than …… DRRRRRRRRRRRRR (that’s a drum roll) …….. Nathan East!

What are the amps and instruments you currently use?

I use a Warwick Streamer 5 String mostly and a Yamaha BB450 4 String

Amplification is something I need to improve on, use Behringer at the moment.

I’m also a Streamer man – but I’ve only ever owned a Yamaha motorbike. Would you ever consider going fretless one day?

Fretless and double bass are my next two priorities in no particular order, anything to do with low end makes me all warm and fuzzy inside.

What instruments would you like to have if money were no object?

Yamaha Nathan East signature

What have you been doing for the last five years or so?

Musically I have been involved with Adrian Shannon, Formally lead singer and songwriter for Grannysmith. We have just released an album, which we hope will go places.

What recordings that you’ve played on would you recommend for listening?

The new Adrian Shannon (cnr south and middle) is an acoustic album that’s all about the music. Everything about the album is feel and less is more. As much as the bass is mind boggling stuff, I tried to capture the essence of the song on every occasion.

How do you work with Adrian? Do you just play bass or do you co-write the songs?

Adrian writes all the materials and I add a bit of musical impression, but just on the lyrical side of things there are very few in the country who could co-write with him. So I choose to dabble on the side with songwriting (in a dark corner where no one will ever hear it.)

What’s been the low point in your career so far?

A couple of years ago I stopped playing for about two years because I was ….. um ….. AN IDIOT!!!! ….
I’m not one to regret anything I’ve done, but it pains me to think how much further along the road I could have been.

But sometimes you need a break, just to recharge the creative juices – don’t you think?

That’s a very good point, I definitely understand music more for no apparent reason

Anyway, what has been the high point?

Meeting Adrian Shannon and getting involved with him has helped me to understand music as a whole and not just playing the bass as busily and impressively as possible. I’ve learnt to listen to – and understand - music in a whole new way.

Have you visited www.bassplayers.co.za yet?

Yes

What Does Graeme van der Schyff get up to when he hasn’t got a bass strapped on?

At the moment it’s wedding arrangements for 19th November, Warwicks gonna have a MAMMA!!!!!!!!!!!!

What are your goals currently?

How long have you been playing James?

Six and a half years.

How did you get started?

My uncle’s blues band needed a bass player, and I had just started playing. and just finished school so I kinda needed something to do. Thanks uncle Len!

So you come from a musical family – that’s a couple of rungs up the ladder before you even get started!!!!

Well not really no one in my immediate family plays an instrument my mom however can belt out a mean tune when she asked to. .

What was your first instrument?

I will never forget it, it was a Yamaha I think but it looked like it came straight out of “the Jetsons” cartoon. I often try to explain it to people but you have to see it to believe it! The only word that describes is “ HORRIFIC “.

And your amp?

My first amp was a samic, don’t know what model it was, but it provided sound, not very much though!

What’s your favourite band / solo artist?

Jaco Pastorius, Richard bona, the Beatles!

That’s interesting – Richard is a Jaco clone (sorry Richard) so if you like one, you’ll like the other but the Beatles are a totally different cup of tea!!! Thought you’d say Weather Report!!!!!

Yeh ! The Beatles are the one musical gift my parents gave me. I have loved them ever since I can remember.
As far as song writing is concerned they do it for me, and the guy who played the bass on their albums wasn’t that bad either.

I love all things jaco not just as a bass player, but as a composer, arranger, innovator etc. So I don’t think he is a bad choice to model your playing on, but no matter how hard you try you will never sound like jaco and that’s not a bad thing, you will always sound like you.

What are the amps and instruments you currently use?

SWR Mo Bass amp head
SWR 4x10 goliath bass cabinet.
Lakland 55-94 Deluxe (that’s my baby)
Musicman stingray 5
(John Doe) upright acoustic bass.

Yeah, I’ve been secretly hoping that Lakland phone me up to ask me to endorse their product (maybe they haven’t got my cell number). How long have you been playing upright?

I am very new to the upright I only started on it this year, unfortunately I don’t get much time with the instrument. But it is starting to happen, I will carry on working on it and eventually tame the beast.

What instruments would you like to have if money were no object?

FODERA FODERA and few other little toys would be nice!
Variety is the spice of life as they say.

Yeah, Foderas are also very cool – big thanks to V.W. for helping to give them a high profile. Which model would you go for?

Oooooh ! I think I would go for one of the imperial series basses, a lot of my friends say its ugly. but there is beauty in that creature . I know Tom Kennedy plays one those, awesome sound!

Being a player that’s already investigated upright bass and being into Jaco, do you see yourself getting into fretless bass guitar in the future?

Most definitely, as a matter of fact I have a Godin A5 fretless on its way cant wait to get my hands on it, the fretless has such a great vocal quality. And with certain little gadgets you can get the craziest sounds out of them.

What have you been doing for the last five years or so?

Well I spent the first three of those five at Pretoria technikon, the lecturers there really taught me a lot I am still trying to get my head around a lot of the stuff. Then I have just been freelancing for various pop rock and jazz outfits, I do have a day job, but I enjoy it! Otherwise I would never get out of bed before eleven.

Was Marc Duby your bass instructor?

Yes! Marc was a great instructor he inspired me a lot. He was actually very good to me and did things that were beyond his call of duty as a teacher. Forgive me for going on but I think this little story has to be told.
While I was nearing the end of my third year at Pretoria tech. My flat was broken into and I was cleared out and my bass went too. At that point in my life there was no way I was going to be able to afford another instrument. Marc took it upon himself to help, so he contacted a few people and managed to organise me a new bass the day before my final third year recital. For that I will be forever grateful to Marc. I still have the bass, at the moment I am in contact with a music school in Daveyton on the east rand and I will soon be passing the bass on to another young bass player who is perhaps less fortunate then my self, who will benefit from the same kindness that was once shown to me. Thank you Marc!

Do you minor in anything?

Not really! I mess around on guitar and the piano when writing new tunes but I would never let anyone see me do that in public.

What recordings that you’ve played on would you recommend for listening?

I haven’t done any recordings yet (strange) maybe the industry is trying to tell me something. (A little humour).

Yeah, that is a bit strange – and here I was, hoping to see a cd featuring J.S. in my post box!!

Alas not today!

What’s been the low point in your career so far?

Without a Doubt! Woodcutters pup and grill in Benoni. I had a residency there once . I wanted to quit music there and then!

Tell us what happened!!!

Nothing really happened, it is just the last venue I ever want to go back to. God willing!

And what has been the high point?

I have two very different high points I had to mention both.
- Playing with guitar legend John Fourie at Aardklop one year. It was the scariest most exciting gig ever.
- Touring with the band Westlife in April earlier this year as a member of Heinz Winckler’s band awesome experience.

Playing with Johnnie Fourie hey? Next stop, John McLaughlin (GREEN with envy hahaha).

I was in no way ready as a player for that gig, but it showed me exactly where I would like to be one day.
The only way to describe it is that I didn’t feel like playing. All I wanted to do was listen to someone else saying something that was a lot more important than what I had to say.

So what do you do when you’re taking a break from music – hopefully, not running some religious cult in Warmbaths!!!

No! not at all . The cult runs itself. I have great guys working with me. ha ha ha .
I love watching television, simple but it does the trick for me!

What are your goals currently?

- Well I just want to keep getting better at what I do. Play as many gigs as possible and play with as many different musicians as I can. Everyone I play with has taught me something new about music and myself. Music is personal that way!
- I would also like to get into the studio thing. Who knows, maybe next year! Ha ha ha

Thanks very much for a great interview James.

How long have you been playing Jason?

Going on 3 years

How did you get started?

I bought a bass guitar for home recording purposes and then one day Andy Lund asked if I wanted to audition for the bass spot in the Roswell Kings

Do you come from a musical family?

No, but my parents decided that I had to learn an instrument at school.

What’s your favourite band / solo artist?

The Cure , Radiohead , Nick Cave ,the Cocteau Twins , the Cranes , muse , Dinosaur Jr to name a few.

What are the amps and instruments you currently use?

I’ve been using a 1978 Fender Mustang shortscale bass for nearly a year now.
In terms of amps, I use an Ashdown MAG300 head with an Ashdown 4X10 cab.
Effects wise I use a boss ME50B.

What instruments would you like to have if money were no object?

If money wasn’t an option, I’d build a kick ass studio. I’d also build a dedicated gig venue where bands can gig with the best PA … something like Brixton Academy or the Astoria in London….but better.

I’m happy with the equipment I have at the moment…….. ok ok maybe the boss syb5 pedal , some 5 string active bass and a 15 inch bin to go with my 4X10s

What have you been doing for the last five years or so?

I played piano at school for years, then trumpet in high school . I taught myself to play the guitar when I left school and played in various bands on and off for about 9 years .In 2003 Andy Lund was looking for a bass player to join the Roswell Kings and I gave it a chance and it worked out. Recently I’ve started a new band called Zenith along with some old friends.

Have you visited www.bassplayers.co.za yet?

Briefly. I’m not one to surf the net. I check my mail and log off.

What recordings that you’ve played on would you recommend for listening?

The Roswell Kings debut album “ No Cure For Trying” . It’s a great album …. Buy it and have a listen.
I’ve also recorded a lot of my own material at home and friend’s studios for shits and giggles.
Zenith have a few demos out there which you can download at www.the-Zenith.com .The sight is still under construction but I’m sure you can download the demos.

What’s been the low point in your career so far?

The drive up to JHB ….. I hate it with a passion.

Yeah, so do I - so what have been the high points?

Recording at Roof top studios with Hanu from the Narrow, our CD launch at the Armchair in Cape Town. Meeting all the awesome muso’s out there.

So what do you get up to when you haven’t got a bass strapped on?

Work in restaurants. Got to pay the bills somehow. Chef / waiter / barman / manager / consultant. Pick one I do them all.

When I’m not working, I head for the beach or up the mountain. Typical Capetonian.

What are your goals currently?

There are plans for The Kings to go back into the studio and record a 5 track EP but nothing is definite yet.

Thanks for the interview Jason.

How long have you been playing Joe?

For about 6 years now. I played acoustic guitar for a few months before I started concentrating on bass.

How did you get started?

Well, one of my friends played guitar and wanted me to sing for this rock band he was starting. I quickly realised singing wasn't for me... so he found something else for me to do in his band – he put a bass guitar in my hand. I just started teaching myself from there. I think I was about 15 at the time.

Do you come from a musical family?

No, not really. Well, my mother used to play classical (nylon string) guitar when she was at school & her old guitar was always lying around. When I got interested in bass guitar, I quickly converted it into an acoustic bass, replacing the nut & strings etc. & my cousins have always been making music since I was really little - the one cousin made me pluck my first string ever when I was 13. But I wouldn't say the family could be described as musical at all.

What’s your favourite band / solo artist?

Band: Taproot
Bassists: Phillip Lipscomb (Taproot), Ryan (MuDvAyNe), Fieldy (Korn) & Wilbert from Tonight We Die (SA band) kicks serious ass!

What are the amps and instruments you currently use?

I'm the proud owner of an Ibanez EDC715 (5 stringer). Black ergodyne body with active pickups. I'm ampless at the moment because I left my Carlsbro 100watt Viper back in SA when we (My Shade - my band) moved to London earlier this year, but I'm planning on buying myself the Ampeg SVT-3 Pro head with an Ampeg PR-410HLF cab within the next few months. I also just bought myself a Line6 BassPodXT Live. For those of you back in SA that will probably only see this product in a year or so, go check it out on line6.com. It's like a multi-effect pedal, a direct recording tool, and a preamp all in one. Really amazing!!!

What instruments would you like to have if money were no object?

As I said, I want to get myself the Ampeg SVT-3 Pro head… but if money were no object, I would probably go for the 8 by 10 cab, because then I'd be able to afford a roadie to carry the damn heavy thing for me : ) Then there's also so many compression systems in rack format out these days, so I'd definitely invest in some of those as well.

No fancy basses?

To be honest, not really. I've got my dream guitar. Some people dream of getting Ferrari's or houses they see pictures of. Well I have that bass guitar, the one I only saw pictures of about 6 years ago. I'd probably like to get an old Fender Jazz Precision again (because I used to play with one) & I like jamming on fretless basses every now & then. But all in all I'm totally satisfied with what I've got at the moment.

What have you been doing for the last five years or so?

I finished High School in 2002, since then I've just been concentrating on the band, my music, and, of course, worked part time (what else do you expect from a South African musician than to have to work as well?). We moved to London (UK) in late April of this year, and we're just starting to get things together here (playing our first UK show at the end of September). I'm not going to go into more detail than that, because I could end up writing a novel.

I expect most of the London venues I used to play at, don’t even exist anymore – nightclubs seemed to be taking over in the eighties. What venues do you find yourself frequenting the most to check out other bands?

Sadly I havent gone to see that many shows yet, mostly stuck at home working on music, practicing & doing all the "behind-the-scenes" stuff that goes on in bands. The venues I have gone to were pretty damn sweet though. Electric Ballroom (Camden), Mean Fiddler (Tottenham Court Road), Underworld/Worlds End (Camden), West One Four (West Kensington – that’s the place we're playing our first show at) & The Barfly (Camden) are all places I've gone to more than once. There are so many venues I still have to go check out. Live music is extremely big here.

What recordings that you’ve played on would you recommend for listening?

Both of My Shade's releases are pretty cool for me. Our latest album, entitled "Equilibrium", is better recording quality, and you can go listen to two tracks off that on our website (www.myshademusic.com). They're not the most bass orientated songs ever, but the sound is pretty sweet. "Life Away", a song from our EP, has some nice basslines in the verses, and I think that song is also on the net somewhere. If you want to go browse around and listen to it, I think samp3.co.za might have it.

Did you record Equilibrium here or over there?

We recorded it all back in Cape Town (SA). Everything except for the bass, was recorded at our vocalists family studio on a farm in Gordonsbay, which is about a hours drive out of the city. The bass was recorded at his house in the northern suburbs of Cape Town. We did everything ourselves, which gave us all the time in the world.

Is it an analogue or digital recording?

All digital. With today's technology you can record an whole album just using digital equipment & your computer/laptop. That’s how/why we recorded the bass at home. Just took my amp & guitar, plugged in, & started recording straight into a pc. Didn't even need mixing desks or anything, so we didn't have to drive all the way to Gordonsbay for that as well.

What’s been the low point in your career so far?

Sitting in SA for about 3years, trying to play to a crowd/market that doesn't really exist. I apologize if I don't sound very patriotic, but it is no big secret that the scene for heavy music is sooo small back in SA. Big up to the people that are still trying to keep it alive!

And what has been the high point?

Recording/releasing albums/getting radio play. I guess that's all one point, right? Well, yeah, I love going into the studio and coming out with a product I can call my own. And when there's some positive response to it, you get played on radio, people download songs from the internet and such... it's a truly awesome feeling. We are more of a live band than a recording one, but making an album can feel like making history, and you get to keep it with you forever and ever...

You’ve visited www.bassplayers.co.za - what do you think of it?

I think it’s awesome. I didn’t really know what to expect before I visited the site, but I was overwhelmed by all the effort put into it & all the attention it has been getting. I was so proud to be a bass player! So where's guitarists.co.za, drummers.co.za or singing"sariemaree"intheshower.co.za? Nope. ONLY BASS!!!

What do you get up to in your spare time when your not playing music?

What spare time? No seriously, I like to:
- (used to) surf back in good ol Cape Town. It was a really big passion of mine
- spend hours on my laptop writing my girlfriend crazy love letters cause she's in the states (American Woman)
- go out & get up to all sorts of crazy things (& to see live music of course)
- watch stupid British daytime television
- go sight seeing (lately)
- uhm... contemplate thinking

What are your goals currently?

Just to play as many shows in London (and the rest of UK) as possible and basically just make our way up the ladder. Hopefully someone "important" will check us out at a show (because record labels and A&R scouts are plenty here in the UK) and like what he sees and … you know what comes next. But first, we're working on some new material for a whole new album, so that is probably my number one current goal - to finish that sucker up.

Thanks for the interview Joe

No, there wasn’t, Martin. Uta just went ahead and did it. In fact, there was very little I contributed, apart from giving her the info I wanted for the cover and alerting her to the odd typo.

The inside cover information tells us that it was recorded during August and September but how long was the process from initial compositions of the songs to eventual mastering?

The recording process came at the tail end of a very intense, roller coaster type of period in my life. Our second child was born on 24 July 2002. That evening our friend Gcina Mhlophe phoned from Durban to ask whether we’d had the baby yet. ‘Yes,’ I said, ‘your timing is perfect. He arrived this morning.’ – ‘So what did you call him?’ – ‘Vusi.’ – ‘Do you know what that means?’ she asked. – ‘Yes, something like “he who completes the family”’. – ‘It’s much deeper than that’, Gcina said. ‘When a person dies, someone of the same sex is born to the family, and that’s what “Vusi” signifies.’ Well, I had a cold shudder running down my back, because my father had passed away just 15 days earlier. I was going to start recording on the day of his death and then obviously shelved the project. I had been carrying most of the tunes around with me for a while, but some were inspired by these new events. As always, I relied a lot on the musical intuition and creativity of the artists involved.

Thirteen other musicians were involved in the album to varying degrees, and most of these are names that have appeared on previous Kai Alami and Highway Jam releases. Obviously these are people you trust quite a bit from a musical point of view.

These are people I respect immensely, for their ability to listen and respond, and for having unique musical voices.

Was this album recorded digitally?

Yes, it was. Willem Möller’s got all the computer gear, but he also has a wealth of old amps and analog gadgets – which makes for an interesting kind of cross-fertilisation.

Let’s now go through the album track by track, starting with –

21st Century (Polite Mix)

This is based on a jam we recorded back in 1999. There was this young guy, Rhakim, who worked as a waiter in one of the Melville restaurants where we played at the time, got up to sing with us one night, over some groove we laid down. Melanie Walker, who was in the audience that night, said ‘Wow, you just have to record this!’ And we did, virtually all live, with Scorpion Madondo on flute and Lynne Poulsen on backing vocals. This is a remixed, shortened version of that jam – Willem’s idea, who wanted to exploit the commercial potential in the tune and overdubbed the poppy keyboard part. I don’t know where Rhakim is now: he was a great kid!

Grasslands

An old Highway Jam staple that just keeps growing and growing. It started when I had the idea for the bass harmonic ostinato. The melody developed much later. On the recording, Mike Meiring (guitar) and Ekkie Eckhart (tenor sax) toy with it, without ever stating it directly: only at the very end do we actually play it. The idea was to evoke the Southern African savannah in all its windswept and fiery beauty.

Om Mani Padme Hum

Based on a traditional Eastern melody on the mantra in question, which means ‘the jewel inside the lotus’. Eliot Short ‘doctored’ his instrument with clothing pegs to make it sound it like a Chinese violin. Maurice Judge is on wood flute and Terence Reis on dobro. The mantra is actually meant to be repeated 120 times, but I chose to do an abridged version and go straight into

Coexistence (The Emancipation of Animals, Part 1)

This, again, has a strong Eastern flavour and is part of a trilogy dedicated to the liberation of nonhuman animals in our awareness: unlikely to happen, but … This is meant to capture the first of these stages, coexistence of all (human and nonhuman) animals: not without killing and suffering, to be sure, but without the gruesomeness of commercially motivated mass production and mass slaughter (that is pictured in ‘Part 2: Exploitation’, not included here). I found the transition from the mantra to this piece worked quite nicely, with David Novis blending the different types of shakers. This is a simple tune that is first played by Elliot and then repeated by me on my Trace Eliot fretted 5-string.

Irgendwie

I had the idea for this tune years before we recorded it. I used the letters of my wife’s name, Edda, for both the melody and the chord progression: Em-D-Dm-Am. (To my knowledge, I’m the third in a line of admirers to have had the idea of using the notes E-D-D-A as the basis for a composition.) Interestingly enough, in the process A-minor became the key or harmonic centre of the tune. Apart from the melodic and harmonic movement, the only idea I had was to make it a long, trancey track that would feature one of my favourite instruments, the resophonic guitar or dobro. Brett Collings actually played the drum track live (it sounds like a loop, it’s so precise) – we just took him out and brought him again in the final mix -, as I laid down a very simple bass figure on the upright (the fretless was overdubbed). David’s perc, Lynne’s keyboard and Terence’s guitar parts, too, were live first-takes. No cutting and pasting here. ‘Irgendwie’ means ‘somehow’, a word Edda often uses. And I think the tune has that character of wistful longing.

September 8

I loved the film ‘Il Postino’, its story and its soundtrack. The soundtrack album has people like Julia Roberts, Andy Garcia, Sting, Madonna and others read their favourite Pablo Neruda poems over this beautiful music, and I decided to do the same for this recording. My friend Tom Kölble had discovered a Neruda poem, ‘September 8’, completely by chance. He had been looking for a poem by Neruda to read at our wedding and just happened to open the book at this particular place. Now, the crazy thing is that we actually got married on September 8! Content-wise, too, it matches our situation perfectly. The last line of the poem, ‘… and someone, still faceless, is waiting for us there’, is almost spookily accurate: Edda was pregnant with Tau when we got married … Amazing, isn’t it? – Lynne played the keyboard parts and Terence laid down the dobro part live. Then Lynne overdubbed the vocal solo. She was pregnant with her first child at the time of recording, and it was sometime in the morning when she did a first complete take. She felt she hadn’t warmed up properly and wanted to go for another one. I said, ‘No way: that was astonishing!’ And it was. I recorded the poem after everything else was down.

Wide awake in Ullapool

This has the same melody as ‘Tau’s Lullaby’, but taken a full tone up and at twice the tempo. After that tune had taken shape, I decided one day to do the piece in the form of a Scottish jig or reel. Ullapool is a village on Loch Broom in the Scottish highlands where we spent an unforgettable holiday in September 2001, when Tau was just 8½ months old: hence the title. This piece is really very rough-edged: I played it to Maurice (on mandocello and tin whistles) and Terence and just let them react. I wanted to capture the exuberant spirit of Scottish and Irish music.

Release (The Emancipation of Animals, Part 3)

Part 3 of the trilogy features a traditional Chinese melody that I reharmonised. That is, it’s played alternatively against the original (major) and the new (minor) harmonic framework. Ekkie blows a compassionate, heartbreaking tenor here and Mike really lets rip on guitar.

Autumn in New York

The third of the recordings I did with Jonathan Crossley on guitar and Rob Watson on drums. We had laid down the other two tracks and, as there was still time, then decided to do a third. We’d done this Vernon Duke standard a few times live, and after a quick decision as to how to play it, we cut it live in a single take. As it turned out, it was just over a year after 9-11, so the title obtained a new connotation here. This piece also contains the only bass solo I play on the entire album.

Tau’s Lullaby

I’m not good at remembering lyrics, so while singing to Tau at night, I’d make up melodies that I would hum to him. This tune was the composite of some of these tunes and reflects my love for Celtic music. Ekkie is on alto recorder here: he solos so beautifully on the instrument.

The Magic Farmer/ Sam’s Song/ Heartland

The framing tune is a composition by the late Michael Hedges which Jonathan, Rob and I had played live many times. The second part is Jon’s, and for my ‘bass solo’ (which it isn’t) I reprised my composition ‘Heartland’ – which arguably suits the Midwestern feel of the Hedges original.

21st Century (Rude Mix)

Willem just took the really angular, freaky bits of the original jam and cobbled them together. It does go on a bit, but I really wanted to include this version here, to offset the slower pieces.

Variation on Clair de Lune

A tribute to my father. I’ve talked about recording this in some detail (see ‘One of my tracks’, elsewhere on the website). I personally feel it completes the album.

Little Sandman

Dedicated to Vusi, this is a traditional children’s tune, with some really odd bars. Ekkie, Mike and Brett took to it immediately. I couldn’t remember the whole tune, so I had to phone Edda to sing it to me. We cut it really quickly, so that I wouldn’t forget the melody again. It still makes me smile: a celebration of (continuing) life – which is why it is the last track here.

You’ve lived with this disc since 2002 – would you like to go back and change anything?

I’d probably excise parts of the two remixed tracks and raise the level of David’s perc parts on ‘Grasslands’. There are quite a few blemishes on the album – but there’s nothing else I’d want to change or correct. It captures exactly what I wanted it to express: spontaneity, honest responses, pain and joy. After I finished it, I thought that it didn’t matter now if I never recorded anything again. And I still feel that way.

Since releasing this album, you brought out the compilation disc ‘The Train Not The River’ – have you got another album in the pipeline?

‘The Train Not The River’ also contained three new recordings. I want to record two projects this year. One will be an album of covers, some of my favourite songs of the 50s and 60s, that will feature some of my favourite musicians and singers. The other is going to be a new album of original material. I’ll be recording in Germany in July with my friend Micky: we’ll see how much stuff we’ll be able to lay down.

Thanks for the chat, Kai.